Vivaldi, Le quattro stagioni
Vivaldi, les Quatre Saisons
Vivaldi, LE QUATTRO STAGIONI
Vivaldi, les Quatre Saisons
Concerto de Antonio Vivaldi
Concerto grosso n°10 pour 4 violons en si mineur RV 580 (extrait de L’Estro armonico)
Allegro
Larghetto
Allegro
Concerto n°1 La primavera (Le Printemps) RV 269
Allegro
Largo
Allegro
Concerto n°2 L’estate (L’Eté) RV 315
Allegro non molto
Adagio - Prestp - Adagio
Presto
Adagio spiccato e Allegro, extraits du Concerto grosso en sol mineur (RV 578) (extrait de L’Estro armonico)
Concerto n°3 L’autunno (L’Automne) RV 293
Allego
Adagio molto
Allegro
Concerto n°4 L’inverno (L’Hiver) RV 297
Allegro non molto
Largo
Allegro
Stefan Plewniak, violin solo
Le Concert de l'Hostel Dieu
Franck-Emmanuel Comte, direction and harpsichord
300 years have already passed since this masterpiece was composed!
Published in Amsterdam in 1725, the melodies of this colorful and poetic musical fresco are omnipresent even today… and yet we never tire of the inventiveness of this inspired music, in which summer storms alternate with wintry tremolos!
No one knows the exact year Antonio Vivaldi composed his Four Seasons (Opus 8, N. 1-4). Author of more than 500 concertos, half of which are for violin, Vivaldi published his four concertos, Spring, Winter, Fall, and Summer, as part ofIl Cimento dell’Armonia e dell’Invenzione, Op. 8, a collection of twelve concertos printed by Michel Le Cène in Amsterdam in 1725. They are thought to have been composed around 1716.
We know that the Four Seasons were already famous before their publication, and greatly appreciated by various European monarchs, including Louis XV, who regularly asked for them to be played. From 1728 on, the Concert Spirituel included them in its repertoire. Vivaldi performed the solo violin part himself and could count on his students, the excellent female musicians of Venice’s Ospedale della Pietà, to accompany him.
Following Vivaldi’s death, his music fell into obscurity: until the middle of the 20th century, only a few scholars were aware of his works. In 1913, the musicologist Max Pincherle decided to dedicate his doctoral thesis to Vivaldi, marking the beginning of his progressive rediscovery.
PICTURES


