Fifty-fifty

A meeting across the Channel: Baroque and Minimalism

A cross look, between baroque sounds and contemporary music, between French and English aesthetics. Fifty-fifty brings together two contemporary creations for Baroque instruments in the same program. One by David Chalmin, inspired by Purcell's music, the other by Martyn Harry, inspired by Lully's work.

Ulysse
in Wonderland

From Playford to Purcell, under the charm of English Baroque

Discovering a fantastic island where the spells of a magician bewitch the inhabitants and castaways… This project comes in two versions, a show one and a concert one.

Il Paradiso perduto

The colorful vision of the Garden of Eden by Luigi da Mancia

Zephyr, river, birds, wind, a charming pantheistic ideal… Attributed to Luigi Da Mancia, an unjustly forgotten genius of the Italian 17th century, this oratorio celebrates the Garden of Eden and our belonging to an unaltered environment before it was corrupted by the hand of Man.

Médée(s)

A legendary enchantress brought to life by the musical geniuses of Charpentier and Händel. 

The ancient myth of Medea has long fascinated artists and inspired baroque composers to pen some of their most spectacular arias: Chapentier and Händel provided two very revealing interpretations of the same legendary personality, both of which are brought to life on stage by the brilliant mezzo-soprano Lila Hajosi.

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