Mad World
Mad World
Dancing in the Storm
Mad World explores a living, imperfect world in which order falters under the pressure of destabilizing natural forces and human antagonisms. Like nature overflowing its bounds, the music unfolds in surges: sudden storms, opposing winds, tides engulfing the shore, landscapes in constant transformation. Echoing our contemporary world, subject to the whims of autocrats and architects of chaos, the elements run wild and reveal, in their excess, a troubling beauty.
From Vivaldi to Haendel, from Purcell to Rameau, and extending to the contemporary echoes of songs by Tears for fears and Sinèad O’Connor, Mad World traverses extreme states where the madness of the world meets that of the elements: fury bursts like a storm (Furie terribili, In furore iustissimae irae), mourning spreads like an endless night (With darkness), and wandering becomes a drift at sea, surrendered to winds and currents (Leave her Johnny). The dances of Playford and the poetic evocations of Graupner appear as brief calms—fragile clearings at the heart of an unstable climate.
Le Concert de l’Hostel Dieu here gives voice to a world where nature and humanity merge into a single vertigo, shaped by emotional floods, tempests, and the upheaval of both heart and elements. In this landscape of opposing forces, madness is no longer a rupture but a state of the world—where music resonates less as a promise of resolution than as an invitation to dance in the storm, rather than wait for it to pass.
PICTURES
CALENDAR
Creation forthcoming
