{"id":24302,"date":"2026-05-19T13:54:38","date_gmt":"2026-05-19T12:54:38","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?p=24302"},"modified":"2026-05-19T13:54:38","modified_gmt":"2026-05-19T12:54:38","slug":"furioso-rp","status":"publish","type":"post","link":"https:\/\/www.concert-hosteldieu.com\/en\/furioso-rp\/","title":{"rendered":"Furioso - Presse Review"},"content":{"rendered":"
<\/i> D\u00e9couvrez le projet<\/a><\/span><\/h5>\n

Presse \u00e9crite<\/h3>\n
\n

DIAPASON \/ 5 DIAPASONS (FR) | 04\/05\/2026 \u2013 ADRIEN CAUCHIE
\n<\/strong>\u00ab [\u2026] Il faut absolument \u00e9couter le splendide \u00ab\u00a0Lo dunque senz\u2019armi\u00a0\u00bb d\u00e9tach\u00e9 de l\u2019Orlando generoso <\/em>de Steffani. Le phras\u00e9 du contre-t\u00e9nor alli\u00e9 \u00e0 la d\u00e9licatesse de l\u2019accompagnement tend ces pages magnifiques sur le fil [\u2026]. \u00bb<\/p>\n

Presse Web<\/h3>\n
\n

DE VOLKSKRANT (NL) | 10\/04\/2026 \u2013 Jenny Camilleri<\/a>
\n<\/strong>\u00ab Le contret\u00e9nor Xavier Sabata, com\u00e9dien de formation, tisse un r\u00e9pertoire d’\u0153uvres c\u00e9l\u00e8bres et moins connues sur le personnage historique d’Orlando pour dresser un portrait saisissant d’un h\u00e9ros tourment\u00e9. Avec une technique irr\u00e9prochable et une fine perspicacit\u00e9 psychologique, il utilise la modulation de son timbre pour exprimer la fragilit\u00e9 de l’esprit d’Orlando. Le Concert de l’Hostel Dieu ne se contente pas de l’accompagner, il partage pleinement son d\u00e9lire. \u00bb<\/p>\n

MERKER, DIE INTERNATIONALE KULTURPLATTFORM (DE) | 25\/04\/2026 \u2013 Dr. Ingobert Waltenberger<\/strong><\/a>
\n\u00ab Avec sa voix de contret\u00e9nor au timbre naturellement doux, Xavier Sabata parvient \u00e0 sonder les abysses les plus sombres de l’\u00e2me, r\u00e9v\u00e9lant des d\u00e9mons ac\u00e9r\u00e9s et des tourbillons paroxystiques. Xavier Sabata est accompagn\u00e9 par le brillant orchestre fran\u00e7ais Le Concert de l\u2019Hostel Dieu, d\u2019une grande richesse sonore et d\u2019une virtuosit\u00e9 remarquable, d\u2019une perfection stylistique irr\u00e9prochable et dirig\u00e9 avec passion par son directeur artistique de longue date, Franck-Emmanuel Comte. \u00bb<\/p>\n

OPUS \/ OPUS D\u2019OR (FR) | 24\/04\/2026 \u2013 JEAN-JACQUES MILLO<\/strong><\/a>
\n\u00ab [\u2026] Xavier Sabata, dont la voix sombre et ductile excelle dans les affects extr\u00eames, incarne un Orlando tour \u00e0 tour noble, hallucin\u00e9, implorant ou vengeur. Autour de lui, le Concert de l\u2019Hostel Dieu d\u00e9ploie un continuo nerveux, des couleurs instrumentales cisel\u00e9es et une \u00e9nergie dramatique qui propulsent chaque sc\u00e8ne comme un fragment d\u2019op\u00e9ra miniature. [\u2026] \u00bb<\/p>\n

\u00a0<\/strong>REVISTA MUSICAL CATALANA \u2013 RMC (ES) | 12\/05\/2026 \u2013 XAVIER PUJOL<\/strong><\/a>
\n\u00ab [\u2026] Son concert tout entier [au Palau de la M\u00fasica] \u00e9tait magnifique, mais c’est non pas dans les passages agit\u00e9s et furieux des arias que Xavier Sabata a le plus brill\u00e9, mais dans les soliloques, la m\u00e9lancolie et les moments de douleur int\u00e9rieure que les partitions lui offraient. Qui sait, peut-\u00eatre a-t-il lui aussi hum\u00e9 un parfum divin venu de la Lune ? \u00bb<\/p>\n

CLASSICA NUVOL, EL DIGITAL DE CULTURA (ES) | 13\/05\/2026 \u2013 ELSA ALVAREZ FORGES<\/strong><\/a>
\n\u00ab Xavier Sabata, sans conteste l’un des plus grands contret\u00e9nors de notre \u00e9poque, nous a offert le 11 mai au Palau de la M\u00fasica un somptueux et flamboyant banquet th\u00e9\u00e2tral autour d’Orlando, mythe et personnage qui a inspir\u00e9 de nombreux op\u00e9ras baroques. Mais Sabata n’\u00e9tait pas seul. \u00c0 ses c\u00f4t\u00e9s, le magnifique ensemble Le Concert de l’Hostel Dieu, dirig\u00e9 au clavecin par Franck-Emmanuel Comte, formait l’autre moiti\u00e9 d’un concert empreint d’une \u00e9motion brute. [\u2026] \u00bb<\/p>\n

TOTAL BAROQUE (FR) | 13\/05\/2026<\/strong><\/a>
\n\u00ab [\u2026] L\u2019int\u00e9r\u00eat de\u00a0Furioso<\/em>\u00a0tient pr\u00e9cis\u00e9ment \u00e0 cette mani\u00e8re de resserrer l\u2019immense mati\u00e8re de l\u2019Arioste autour d\u2019un personnage en crise. Le disque met en valeur la virtuosit\u00e9 du chant baroque sans la d\u00e9tacher de ce qui la motive\u00a0: l\u2019instabilit\u00e9 d\u2019un h\u00e9ros que l\u2019amour fait basculer hors de lui-m\u00eame. Une travers\u00e9e ramass\u00e9e, th\u00e9\u00e2trale et habit\u00e9e de l\u2019un des grands mythes de la folie amoureuse.\u00a0\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

D\u00e9couvrez le projet Presse \u00e9crite DIAPASON \/ 5 DIAPASONS (FR) | 04\/05\/2026 \u2013 ADRIEN CAUCHIE \u00ab [\u2026] Il faut absolument \u00e9couter le splendide \u00ab\u00a0Lo dunque senz\u2019armi\u00a0\u00bb d\u00e9tach\u00e9 de l\u2019Orlando generoso de Steffani. Le phras\u00e9 du contre-t\u00e9nor alli\u00e9 \u00e0 la d\u00e9licatesse […]<\/p>\n","protected":false},"author":2776,"featured_media":24307,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[407],"tags":[],"class_list":["post-24302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse"],"yoast_head":"\nFurioso - 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