{"id":24465,"date":"2026-07-03T17:05:43","date_gmt":"2026-07-03T16:05:43","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?page_id=24465"},"modified":"2026-07-13T14:29:37","modified_gmt":"2026-07-13T13:29:37","slug":"amor-divino","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/amor-divino\/","title":{"rendered":"Amor Divino"},"content":{"rendered":"

Program details<\/h4>\n\t\t\t

Barbara Strozzi <\/strong>(1619-1677)<\/h5>\n

Oleum effusum<\/em><\/strong> (Sacre musicali affetti, op. 5 –\u00a0Venise, 1655)<\/em><\/p>\n

Giovanni Battista Fontana (v. 1589-1630)<\/strong><\/h5>\n

Sonata Decima <\/em><\/strong>(Sonate –\u00a0Venise, 1641)<\/p>\n

Barbara Strozzi<\/strong><\/h5>\n

Che si pu\u00f2 fare <\/em><\/strong>(Aria<\/em>, op. 8 –\u00a0Venise, 1664)<\/p>\n

Tarquinio Merula (1595-1665)<\/strong><\/h5>\n

Hor ch’\u00e8 tempo di dormire <\/em><\/strong>(Canzonetta spirituale sopra alla nanna – <\/em>Venise, 1639)
Ciaccona<\/strong> <\/em>(Canzoni overo sonate concertate per chiesa e camera<\/em>, op. 12, n\u00b020 – <\/em>Venise, 1637)<\/p>\n

\n
Michel Pignolet de Mont\u00e9clair (1667-1737)<\/strong><\/h5>\n

Cantate \u00ab\u00a0La Mort de Didon \u00bb <\/em><\/strong>(<\/em>Premier livre de cantates<\/em> – <\/em>Paris, 1709)<\/p>\n

Fran\u00e7ois Franc\u0153ur (1698-1797)<\/strong><\/h5>\n

Gay <\/em><\/strong>(extrait de la Sonate n\u00b09) (Deuxi\u00e8me livre de sonates<\/em> – <\/em>Paris, 1720)<\/p>\n

Jean-Baptiste Gouffet (1669-1729)<\/strong><\/h5>\n

Chaconne \u00ab De excelsis \u00bb<\/em><\/strong> (Troisi\u00e8me Le\u00e7on de t\u00e9n\u00e8bres<\/em> – <\/em>Lyon, 1709)<\/p>\n

Jean-Baptiste Senaill\u00e9 (1687-1730)<\/strong><\/h5>\n

Pr\u00e9lude et Gavotte <\/strong>(Sonate n\u00b06, op. 1, livre I – <\/em>Paris, 1710)<\/p>\n

Fran\u00e7oise-Charlotte de Saint-Nectaire (1679-1745)<\/strong><\/h5>\n

\u00ab On dit qu’Amour vient surprendre \u00bb <\/strong>and \u00ab Aux lois d’Amour \u00bb<\/strong> (Airs s\u00e9rieux \u00e0 deux<\/em> – <\/em>Paris)<\/p>\n

Michel Lambert (1610-1696<\/strong><\/h5>\n

\u00ab Vos m\u00e9pris chaque jour \u00bb <\/strong>(Airs – <\/em>Paris, 1689)<\/p>\n

Marc-Antoine Charpentier (1643-1704)<\/strong><\/h5>\n

\u00ab Sans frayeur \u00bb <\/strong>(Airs et concerts<\/em> – Paris, 1680)<\/p>\n\t\t\t\t\t\t

Cast<\/h4>\n\t\t\t

Heather Newhouse<\/strong><\/a>, soprano \/ en alternance avec Ad\u00e8le Huber<\/a><\/strong>, soprano et fl\u00fbte
Florian Verhaegen, violon
Aude Walker-Viry, violoncelle
Nicolas Muzy, th\u00e9orbe et guitare
Franck-Emmanuel Comte, clavecin<\/p>\n

Le Concert de l’Hostel Dieu<\/strong>
Franck-Emmanuel Comte<\/strong><\/a>, conductor<\/p>\n\t

Le XVII\u1d49 si\u00e8cle ne distingue pas toujours l’amour de Dieu de celui des hommes. Une m\u00eame ferveur, une m\u00eame blessure, une m\u00eame lumi\u00e8re traversent les \u0153uvres sacr\u00e9es comme les pages profanes.<\/p>\n

De la Venise de Barbara Strozzi au Paris de Mont\u00e9clair et Charpentier, ce programme fait dialoguer deux fa\u00e7ons d’habiter les passions : l’une ardente, libre, presque th\u00e9\u00e2trale ; l’autre plus secr\u00e8te, o\u00f9 l’\u00e9motion se r\u00e9v\u00e8le dans l’art du clair-obscur.<\/p>\n

Entre sensualit\u00e9 et spiritualit\u00e9, les voix et les instruments dessinent un espace o\u00f9 les fronti\u00e8res s’effacent. Le Baroque y r\u00e9v\u00e8le ce qu’il poss\u00e8de de plus moderne : une confiance absolue dans le pouvoir de la musique \u00e0 dire l’indicible.<\/p>\n\t

\n\t\t\t\tPICTURES\n\t\t\t<\/h4>\n

\n\t\t\tASSOCIATED ARTISTS\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tHeather Newhouse<\/a>\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tAd\u00e8le Huber<\/a>\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"Franck-Emmanuel\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tFranck-Emmanuel Comte<\/a>\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tAude Walker-Viry<\/a>\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tFlorian Verhaegen<\/a>\t\t\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tNicolas Muzy<\/a>\t\t\t<\/h4>","protected":false},"excerpt":{"rendered":"

Programme Barbara Strozzi (1619-1677) Oleum effusum (Sacre musicali affetti, op. 5 –\u00a0Venise, 1655) Giovanni Battista Fontana (v. 1589-1630) Sonata Decima (Sonate –\u00a0Venise, 1641) Barbara Strozzi Che si pu\u00f2 fare (Aria, op. 8 –\u00a0Venise, 1664) Tarquinio Merula (1595-1665) Hor ch’\u00e8 tempo […]<\/p>\n","protected":false},"author":2776,"featured_media":24319,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[],"class_list":["post-24465","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions"],"yoast_head":"\nAmor Divino - 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