{"id":24312,"date":"2026-05-22T11:35:30","date_gmt":"2026-05-22T10:35:30","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?page_id=24312"},"modified":"2026-05-22T11:37:26","modified_gmt":"2026-05-22T10:37:26","slug":"passion-selon-saint-jean","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/passion-selon-saint-jean\/","title":{"rendered":"Passion selon Saint-Jean"},"content":{"rendered":"

\n\t\t\tTh\u00e9\u00e2tre des affects\t<\/h4>\n\t\t\t\t\t\t

Program details<\/h4>\n\t\t\t

Johann Sebastian Bach (1685-1750)
<\/strong>Passion selon Saint-Jean<\/em> BWV 245 (Leipzig, 1724)<\/p>\n\t\t\t\t\t\t

Cast<\/h4>\n\t\t\t

Le Concert de l’Hostel Dieu
<\/strong>Franck-Emmanuel Comte,<\/a>harpsichordist-conductor
Reynier Guerrero<\/strong>, violin solo<\/p>\n

Ch\u0153ur de chambre de Namur<\/strong><\/a>
Apolline Ra\u00ef-Westphal<\/strong>, soprano
Mathilde Ortscheidt<\/strong>, mezzo
Charles Pittsinger<\/strong>, t\u00e9nor (L’\u00c9vangeliste)
Mathieu Gourlet<\/strong>, baryton-basse (J\u00e9sus)
TBC<\/strong>, baryton-basse (Pilate)<\/p>\n

On stage:<\/strong>
42 artistes (20 musiciens, 16 chanteurs, 5 solistes, 1 chef d’orchestre)<\/p>\n\t

Note d’intention par Franck-Emmanuel Comte<\/strong>
\n<\/strong><\/em><\/h4>\n

Dans la\u00a0Passion selon Saint Jean<\/em>\u00a0de Johann Sebastian Bach, le drame ne se d\u00e9ploie pas seulement dans le r\u00e9cit, mais dans une tension permanente entre action et int\u00e9riorit\u00e9. Plus concise, plus incisive que la\u00a0Matth\u00e4us-Passion<\/em>, elle se distingue par une\u00a0\u00e9nergie dramatique imm\u00e9diate<\/strong>, que John Eliot Gardiner d\u00e9crit comme \u00ab tendue, rapide, presque brutale dans sa mani\u00e8re de projeter l’action \u00bb.<\/p>\n

Notre proposition s’appuie sur ces\u00a0ressorts expressifs intrins\u00e8ques<\/strong>\u00a0pour faire \u00e9merger un v\u00e9ritable\u00a0th\u00e9\u00e2tre int\u00e9rieur des \u00e9motions<\/strong>. Le ch\u0153ur, tour \u00e0 tour foule, t\u00e9moin ou conscience collective, devient un acteur central du drame. Les airs ne suspendent pas l’action : ils en r\u00e9v\u00e8lent les fractures, les tensions et les zones de trouble, prolongeant le r\u00e9cit dans une dimension introspective.<\/p>\n

Port\u00e9e par l’engagement du Concert de l’Hostel Dieu, reconnu pour sa capacit\u00e9 \u00e0\u00a0incarner les \u0153uvres dramatiques<\/strong>\u00a0avec intensit\u00e9 et pr\u00e9cision, cette interpr\u00e9tation fait le choix d’un geste musical profond\u00e9ment habit\u00e9, o\u00f9 chaque inflexion participe du sens. L’extr\u00eame clart\u00e9 d’articulation <\/strong>du Ch\u0153ur de Chambre de Namur y joue un r\u00f4le d\u00e9terminant : elle permet de rendre pleinement perceptible la violence des interventions de la foule, la finesse du contrepoint et la lisibilit\u00e9 du texte, au c\u0153ur de la dramaturgie.<\/p>\n

Port\u00e9e par une lecture\u00a0resserr\u00e9e et intens\u00e9ment incarn\u00e9e<\/strong>, notre approche fond\u00e9e sur la th\u00e9\u00e2tralit\u00e9 intrins\u00e8que de l’\u0153uvre et sur ses ressorts rh\u00e9toriques, met en lumi\u00e8re la modernit\u00e9 de Bach dans sa capacit\u00e9 \u00e0 organiser le chaos des affects et \u00e0 structurer un v\u00e9ritable drame musical – rejoignant l’id\u00e9e, d\u00e9fendue notamment par Peter Sellars, d’une Passion comme\u00a0th\u00e9\u00e2tre de la conscience<\/strong>, o\u00f9 l’\u00e9coute devient le lieu m\u00eame de l’exp\u00e9rience.<\/p>\n

Ainsi con\u00e7ue, la\u00a0Passion selon saint Jean<\/em>\u00a0ne se donne pas uniquement comme une vaste fresque historique et musicale, mais comme une exp\u00e9rience imm\u00e9diate, o\u00f9 le public est invit\u00e9 \u00e0 traverser, de l’int\u00e9rieur, les tensions et les contradictions humaines au c\u0153ur du r\u00e9cit.<\/p>\n

\n\t\t\tPICTURES\t<\/h4>\n

\n\t\t\tCALENDAR\t<\/h4>\n\t

P\u00e9riode de diffusion : du 1er au 15 avril 2028<\/p>\n

\n\t\t\tPARTNERS\t<\/h4>\n\t

\u00a0\"\"<\/a><\/p>\n\t\t\t\n\t\t\t\t\t\tContact us\n\t\t\t\t\t<\/a>\n

\n\t\t\tASSOCIATED ARTISTS\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"Franck-Emmanuel\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tFranck-Emmanuel Comte,<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tCh\u0153ur de Chambre de Namur<\/a>\t\t\t<\/h3>","protected":false},"excerpt":{"rendered":"

Th\u00e9\u00e2tre des affects Programme Johann Sebastian Bach (1685-1750)Passion selon Saint-Jean BWV 245 (Leipzig, 1724) Distribution Le Concert de l’Hostel DieuFranck-Emmanuel Comte, directionReynier Guerrero, violon solo Ch\u0153ur de chambre de NamurApolline Ra\u00ef-Westphal, sopranoMathilde Ortscheidt, mezzoCharles Pittsinger, t\u00e9nor (L’\u00c9vangeliste)Mathieu Gourlet, baryton-basse (J\u00e9sus)ND, […]<\/p>\n","protected":false},"author":2776,"featured_media":24313,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[],"class_list":["post-24312","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions"],"yoast_head":"\nPassion selon Saint-Jean - 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