{"id":24166,"date":"2026-03-25T10:11:50","date_gmt":"2026-03-25T09:11:50","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?page_id=24166"},"modified":"2026-04-23T11:13:55","modified_gmt":"2026-04-23T10:13:55","slug":"dixit-dominus","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/dixit-dominus\/","title":{"rendered":"Dixit Dominus"},"content":{"rendered":"

\n\t\t\tThe theatre of emotions\t<\/h4>\n\t\t\t\t\t\t

Program details<\/h4>\n\t\t\t

Johann Sebastian Bach (1685-1750)<\/strong><\/h5>\n

Cantata Christ lag in Todesbanden<\/strong><\/em>, BWV 4<\/strong> (M\u00fchlhausen, 1707)
Motet Lobet den Herrn<\/em>, BWV 230<\/strong> (Leipzig, c. 1730) in the version of the manuscript held at the Lyon Municipal Library<\/p>\n

Georg Friedrich Haendel (1685-1759)<\/strong><\/h5>\n

Salve Regina<\/strong><\/em>, HWV 241 <\/strong>(Rome, 1707)
<\/strong><\/em>Dixit Dominus<\/strong><\/em>, HWV 232<\/strong> (Rome, 1707)<\/p>\n

\n

DURATION:<\/strong> 1h30<\/p>\n\t\t\t\t\t\t

Cast<\/h4>\n\t\t\t

Le Concert de l’Hostel Dieu
<\/strong>Franck-Emmanuel Comte,<\/a><\/strong>harpsichordist-conductor
Reynier Guerrero<\/strong>, violin solo<\/p>\n

Ch\u0153ur de chambre Spirito<\/strong><\/a>
Thibaut Louppe<\/strong>, choir preparation<\/p>\n

Heather Newhouse<\/strong><\/a>, soprano
Magali Perol-Dumora<\/strong>, soprano
L\u00e9o Fernique<\/strong>, viola
Almeno Gon\u00e7alves<\/strong>, t\u00e9nor
Imanol Iraola<\/strong>, baritone<\/p>\n

\n

On stage:<\/strong>
32 artistes (15 instrumentistes, 16 chanteurs, 1 chef d’orchestre)<\/p>\n\t

Approaching Dixit Dominus<\/strong><\/em> Handel\u2019s Dixit Dominus<\/strong>, c’est affirmer une conviction profonde : le r\u00e9pertoire baroque n’est pas un patrimoine fig\u00e9, mais un v\u00e9ritable th\u00e9\u00e2tre d’\u00e9motions, un laboratoire sonore o\u00f9 la musique se vit comme une exp\u00e9rience physique, dramatique et sensorielle.<\/p>\n

Compos\u00e9e en 1707, cette \u0153uvre fulgurante r\u00e9v\u00e8le un Haendel jeune et audacieux, nourri de l’exub\u00e9rance italienne et d\u00e9j\u00e0 anim\u00e9 par un instinct th\u00e9\u00e2tral irr\u00e9sistible. Le Dixit Dominus<\/em><\/strong> d\u00e9passe le cadre de la musique sacr\u00e9e pour devenir une fresque dramatique, o\u00f9 la parole biblique se fait geste, tension, mouvement et lumi\u00e8re. Cette dimension spectaculaire est au c\u0153ur de notre approche et met en lumi\u00e8re toute la modernit\u00e9 d’un Haendel visionnaire.<\/p>\n

Composed in the same year, Christ lag in Todesbanden<\/strong><\/em> t\u00e9moigne de la puissance expressive du jeune Bach, d\u00e9j\u00e0 perceptible dans ses premi\u00e8res cantates. Alternant choral monumental, airs et ensembles, l’\u0153uvre conjugue virtuosit\u00e9 vocale et clart\u00e9 contrapuntique. En \u00e9cho au Dixit Dominus<\/strong><\/em>, elle propose une autre vision de l’au-del\u00e0 : plus int\u00e9rioris\u00e9e, travers\u00e9e d’ombres et de lumi\u00e8re, o\u00f9 la pr\u00e9sence divine se fait plus proche, presque humaine.<\/p>\n

Between these two masterpieces, two more rarely performed works build luminous bridges: the motet\u00a0Lobet den Herrn<\/em><\/strong>\u00a0du Cantor de Leipzig – pr\u00e9sent\u00e9 ici \u00e0 partir d’un manuscrit conserv\u00e9 \u00e0 la Biblioth\u00e8que municipale de Lyon – et le d\u00e9licat\u00a0Salve Regina<\/em><\/strong>\u00a0for solo soprano by the young Handel.<\/p>\n

\n\t\t\tPICTURES\t<\/h4>\n

\n\t\t\tCALENDAR\t<\/h4>\n\t

Creation forthcoming<\/p>\n

\n\t\t\tPARTNERS\t<\/h4>\n\t

\"\"\u00a0<\/a><\/p>\n

\n\t\t\tASSOCIATED ARTISTS\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"Franck-Emmanuel\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tFranck-Emmanuel Comte,<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tCh\u0153ur Spirito<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tReynier Guerrero<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tHeather Newhouse<\/a>\t\t\t<\/h3>","protected":false},"excerpt":{"rendered":"

Le th\u00e9\u00e2tre des \u00e9motions Programme Johann Sebastian Bach (1685-1750) Cantate Christ lag in Todesbanden, BWV 4 (M\u00fchlhausen, 1707)Motet Lobet den Herrn, BWV 230 (Leipzig, vers 1730) dans la version du manuscrit de la Biblioth\u00e8que Municipale de Lyon Georg Friedrich Haendel […]<\/p>\n","protected":false},"author":2776,"featured_media":24167,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[],"class_list":["post-24166","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions"],"yoast_head":"\nDixit Dominus - 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