{"id":24166,"date":"2026-03-25T10:11:50","date_gmt":"2026-03-25T09:11:50","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?page_id=24166"},"modified":"2026-04-07T16:28:49","modified_gmt":"2026-04-07T15:28:49","slug":"dixit-dominus","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/dixit-dominus\/","title":{"rendered":"Dixit Dominus"},"content":{"rendered":"

\n\t\t\tLe th\u00e9\u00e2tre des \u00e9motions\t<\/h4>\n\t\t\t\t\t\t

Program details<\/h4>\n\t\t\t

Johann Sebastian Bach (1685-1750)<\/strong><\/h5>\n

Cantate Christ lag in Todesbanden<\/strong><\/em>, BWV 4<\/strong> (M\u00fchlhausen, 1707)
Motet Lobet den Herrn<\/em>, BWV 230<\/strong> (Leipzig, vers 1730) dans la version du manuscrit de la Biblioth\u00e8que Municipale de Lyon<\/p>\n

Georg Friedrich Haendel (1685-1759)<\/strong><\/h5>\n

Dixit Dominus<\/strong><\/em>, HWV 232<\/strong> (Rome, 1707)<\/p>\n\t\t\t\t\t\t

Cast<\/h4>\n\t\t\t

Le Concert de l’Hostel Dieu
Reynier Guerrero<\/strong>, violin solo
<\/strong>Franck-Emmanuel Comte<\/a>harpsichordist-conductor<\/p>\n

Ch\u0153ur de chambre Spirito<\/strong>
Thibaut Louppe<\/strong>, pr\u00e9paration du ch\u0153ur<\/p>\n

\n

On stage:<\/strong>
32 artistes (15 instrumentistes, 16 chanteurs, 1 chef d’orchestre)<\/p>\n\t

Aborder le Dixit Dominus<\/strong><\/em> by Handel<\/strong>, c’est pour nous affirmer une conviction profonde : le r\u00e9pertoire baroque n’est pas un patrimoine fig\u00e9, mais un v\u00e9ritable th\u00e9\u00e2tre d’\u00e9motions, un laboratoire sonore o\u00f9 la musique se vit comme une exp\u00e9rience physique, dramatique et sensorielle. Compos\u00e9e en 1707, cette \u0153uvre fulgurante r\u00e9v\u00e8le un Haendel jeune, audacieux, nourri de l’exub\u00e9rance italienne et d\u00e9j\u00e0 anim\u00e9 par un instinct th\u00e9\u00e2tral irr\u00e9sistible. Le Dixit Dominus<\/em><\/strong> n’est pas seulement une \u0153uvre sacr\u00e9e ; c’est une fresque dramatique o\u00f9 la parole biblique se fait geste, tension, mouvement, lumi\u00e8re et vertige sonore. Cette dimension spectaculaire constitue le c\u0153ur de notre approche et r\u00e9v\u00e8le toute la modernit\u00e9 d’un Haendel visionnaire.<\/p>\n

Compos\u00e9e la m\u00eame ann\u00e9e, Christ lag in Todesbanden<\/strong><\/em> illustre la puissance dramatique et expressive du jeune Bach<\/strong>, perceptible d\u00e8s ses premi\u00e8res cantates. Alternant choral monumental, airs et ensembles, l’\u0153uvre m\u00eale virtuosit\u00e9 vocale et clart\u00e9 contrapuntique lumineuse. Compl\u00e9ment rh\u00e9torique du Dixit Dominus<\/strong><\/em>, elle propose une vision diff\u00e9rente de l’au-del\u00e0 : entre ombre et lumi\u00e8re, la puissance divine y appara\u00eet nuanc\u00e9e, profond\u00e9ment proche de l’humanit\u00e9. Passerelle lumineuse entre ces deux grands chefs d’\u0153uvre nous donnerons \u00e0 d\u00e9couvrir une version in\u00e9dite du Motet Lobet den Herrn, \u00e0 partir d’un manuscrit conserv\u00e9 \u00e0 la Biblioth\u00e8que municipale de Lyon.<\/p>\n

Notre approche, partag\u00e9e avec le Ch\u0153ur de chambre professionnel Spirito<\/strong><\/a>, repose sur une interpr\u00e9tation historiquement inform\u00e9e, con\u00e7ue comme un point de d\u00e9part plut\u00f4t qu’une finalit\u00e9. La recherche sur les sources, les instruments anciens, l’ornementation et la rh\u00e9torique baroque nourrit une lecture vivante et engag\u00e9e des \u0153uvres de Bach<\/strong> and Haendel<\/strong>. Cette d\u00e9marche vise \u00e0 restituer leur \u00e9nergie premi\u00e8re, leur force expressive et leur pouvoir de saisissement, en explorant la richesse des couleurs instrumentales et la plasticit\u00e9 du discours musical.<\/p>\n

\n\t\t\tPICTURES\t<\/h4>\n

\n\t\t\tCALENDAR\t<\/h4>\n\t

Cr\u00e9ation \u00e0 venir<\/p>\n

\n\t\t\tPARTENAIRES\t<\/h4>\n\t

\"\"\u00a0<\/a><\/p>\n

\n\t\t\tASSOCIATED ARTISTS\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"Franck-Emmanuel\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tFranck-Emmanuel Comte<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tCh\u0153ur Spirito<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tReynier Guerrero<\/a>\t\t\t<\/h3>","protected":false},"excerpt":{"rendered":"

Le th\u00e9\u00e2tre des \u00e9motions Programme Johann Sebastian Bach (1685-1750) Cantate Christ lag in Todesbanden, BWV 4 (M\u00fchlhausen, 1707)Motet Lobet den Herrn, BWV 230 (Leipzig, vers 1730) dans la version du manuscrit de la Biblioth\u00e8que Municipale de Lyon Georg Friedrich Haendel […]<\/p>\n","protected":false},"author":2776,"featured_media":24167,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[],"class_list":["post-24166","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions"],"yoast_head":"\nDixit Dominus - 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