1 – O virgo Splendens<\/em> – Chant de p\u00e8lerinage \u00e0 la Vierge (XIVe s.)
2 – Stabat Mater dolorosa<\/em> – Antonio Vivaldi<\/p>\n
THE ESCAPE<\/strong> LA DISPARITION DE L’ENFANT<\/strong> L’\u00c9CHANGE D’UN REGARD<\/strong> STANDING BEFORE THE CROSS<\/strong> DURING THE DESCENT<\/strong> INTO THE OPEN TOMB<\/strong> La Camera delle Lacrime<\/a> Bruno Bonhoure<\/strong>, Vocals, psaltery Mokrane Adlani<\/strong>, Vocals, oud The Stabat Mater<\/em> est un fragment des Sept Douleurs de la Vierge. Il s’agit du cinqui\u00e8me moment, lorsque Marie se tient devant la croix :<\/p>\n Ce sont ces sept \u00e9tapes qui jalonnent notre cr\u00e9ation spectaculaire, collaboration entre nos deux formations, l’une (bas\u00e9e \u00e0 Clermont-Ferrand) observant les traces du Moyen \u00c2ge, l’autre (install\u00e9e \u00e0 Lyon) sp\u00e9cialis\u00e9e dans la consultation et la mise en lumi\u00e8re des partitions de l’\u00e9poque baroque.<\/p>\n La s\u00e9quence (po\u00e8me chant\u00e9) du Stabat Mater<\/em> serait attribu\u00e9 pour certains \u00e0 Jacopone da Todi<\/strong> (vers 1220-1306) ou alors pour d’autres \u00e0 saint Bonaventure (1221-1274). C’est \u00e9galement \u00e0 l’occasion de la f\u00eate des Sept Douleurs de la Vierge<\/em> le 18 mars 1712 dans la ville de Breschia en Lombardie, qu’Antonio Vivaldi<\/strong> composed his Stabat Mater<\/strong><\/em> ; \u0153uvre sublime qui met en musique ses r\u00e9flexions intimes face \u00e0 la sid\u00e9ration devant la mort et la confrontation de chacun \u00e0 la finitude. Ces r\u00e9flexions se traduisent par une musique qui \u00e9volue subtilement entre retenue et expressivit\u00e9, et qui fait place dans les derniers versets \u00e0 la lumi\u00e8re, au pardon et \u00e0 l’espoir dans \u00ab la gloire du paradis \u00bb.<\/p>\n Nous avons choisi des laudes du XIII\u1d49 si\u00e8cle, du manuscrit de Cortona pour compl\u00e9ter notre proposition. Celle-ci qui a donc en son centre une des pi\u00e8ces phares du r\u00e9pertoire baroque arrang\u00e9 dans notre spectacle pour la voix de t\u00e9nor. L’universel n’est pas quelque chose que l’on d\u00e9cr\u00e8te, c’est un processus de construction. Du vestige d’une tradition qui nous arrive du Moyen \u00c2ge et dont Vivaldi a apport\u00e9 du vertigineux dans l’\u00e9criture de la supplication, nous allons nous r\u00e9unir pour accorder nos c\u0153urs et nos \u00e2mes au profit d’un \u00ab faire commun \u00bb. De notre rencontre sur le plateau na\u00eetra une organisation o\u00f9 chaque geste sera musical autant que pictural.<\/p>\n Avec le soutien de la SPEDIDAM<\/a>.<\/p>\n Programme LA PROPH\u00c9TIE1 – O virgo Splendens – Chant de p\u00e8lerinage \u00e0 la Vierge (XIVe s.)2 – Stabat Mater dolorosa – Antonio Vivaldi LA FUITE3 – Stornello – Carlo Rustichelli4 – Venite a laudare – Laudario di Cortona5 – Cuius […]<\/p>\n","protected":false},"author":2776,"featured_media":23574,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[],"class_list":["post-22988","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions"],"yoast_head":"\n
3 – Stornello<\/em> – Carlo Rustichelli
4 – Venite a laudare<\/em> – Laudario di Cortona
5 – Cuius animam gementem<\/em> – Antonio Vivaldi
6 – O quam tristis et afflicta<\/em> – Antonio Vivaldi<\/p>\n
7 – Concerto pour flautino RV 443, 2\u1d49 mouvement<\/i> – Antonio Vivaldi
8 – Quis est homo<\/em> – Vivaldi
9 – A Madre de Jesus Cristo<\/em> – Laudario di Cortona<\/p>\n
10 – Il pianto d’Arianna<\/em> – Pietro Antonio Locatelli
11 – Ammi<\/em> – Loun\u00e8s Khaloui
12- Il pianto d’Arianna<\/em> – Pietro Antonio Locatelli<\/p>\n
13 – Madonna Santa Maria<\/em> – Laudario di Cortona
14 – Quis non posset contristari<\/em> – Antonio Vivaldi
15 – Pro peccatis su\u00e6 gentis<\/em> – Antonio Vivaldi<\/p>\n
16 – Stabat Mater dolorosa<\/i>\u00a0– Jacopone da Todi (XIII\u1d49 s.)
17 – Eia Mater, fons amoris<\/i>\u00a0– Antonio Vivaldi<\/p>\n
18 – R\u00e9veillez-vous tous les endormis<\/em> – Chant de P\u00e2ques
19 – Fac ut ardeat cor meum<\/em> – Antonio Vivaldi
20 – Amen<\/em> – Antonio Vivaldi<\/p>\n\t\t\t\t\t\tCast<\/h4>\n\t\t\t
Le Concert de l’Hostel Dieu<\/strong><\/p>\n
Franck-Emmanuel Comte<\/strong><\/a>, Positive organ, group vocals
Kha\u00ef-Dong Luong<\/strong>, Research, dramaturgy, screenplay writing<\/p>\n
Pierre Hamon<\/strong>, Flutes, group vocals
V\u00e9ronique Bouilloux<\/strong><\/a>, First violin, group vocals
Florian Verhaegen<\/strong><\/a>Second violin, bowed fiddle, group vocals
Aur\u00e9lie M\u00e9tivier<\/strong><\/a>, Alto, group vocals
Clara Fellmann<\/strong><\/a>Cello, group vocals
Jean Bouther<\/strong>, Stage manager, sound, lighting<\/p>\n\t\n
\n\t\t\tLE STABAT MATER EN IMAGES\t<\/h4>\n\t\t\t\t\t\t
PARTNERS<\/h4>\n\t\t\t
![\"\"](\"https:\/\/www.concert-hosteldieu.com\/wp-content\/uploads\/2026\/03\/SPEDIDAM_new-300x150.png\")
<\/p>\n\n\t\t\tCALENDAR\t<\/h4>\n
\n\t\t\tAgenda – \u00c9v\u00e9nements pass\u00e9s\t<\/h4>\n
\n\t\t\tASSOCIATED ARTISTS\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t
![\"Franck-Emmanuel](\"https:\/\/www.concert-hosteldieu.com\/wp-content\/uploads\/2021\/07\/CHD-FE-Comte-portrait-Jean-Combier-6.jpg\")
\n\t\t\t\t<\/a>\n\t\t\t\t\t\t\n\t\t\t\tFranck-Emmanuel Comte<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t
![\"\"](\"https:\/\/www.concert-hosteldieu.com\/wp-content\/uploads\/2025\/11\/la-camera-delle-lacrime.jpg\")
\n\t\t\t\t<\/a>\n\t\t\t\t\t\t\n\t\t\t\tLa Camera delle Lacrime<\/a>\t\t\t<\/h3>","protected":false},"excerpt":{"rendered":"