{"id":22297,"date":"2024-08-21T13:25:52","date_gmt":"2024-08-21T12:25:52","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?page_id=22297"},"modified":"2026-09-21T13:36:51","modified_gmt":"2026-09-21T12:36:51","slug":"bach-to-minimalism","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/bach-to-minimalism\/","title":{"rendered":"Bach to minimalism"},"content":{"rendered":"

\n\t\t\tA jubilant and atypical concert\t<\/h4>\nR\u00e9server(opens in new tab)<\/a>\n\t\t\t\t\t\t

Program details<\/h4>\n

Steve Reich <\/strong>– Clapping music<\/em> (1972)<\/p>\n

Johann Sebastian Bach <\/strong>– L’Art de la fugue<\/em>, BWV 1080 (1749-1750)
\u00a0 \u00a0 \u00a0Contrapunctus I<\/strong><\/em><\/p>\n

Johann Sebastian Bach<\/strong> – Concerto pour violon en R\u00e9 mineur<\/em>, BWV 1052R
\u00a0 \u00a0 \u00a0<\/strong><\/em>I. Allegro
<\/strong><\/em>\u00a0 \u00a0 \u00a0<\/strong><\/em>II. Adagio
<\/strong><\/em>\u00a0 \u00a0 \u00a0<\/strong><\/em>III. Allegro<\/strong><\/em><\/p>\n

Steve Reich <\/strong>– Electric Counterpoint<\/em> (1987)
\u00a0 \u00a0 \u00a0Fast – Slow – Fast<\/strong><\/em> (argmt par F.-E. Comte et R. Guerrero, avec l’aimable autorisation de S. Reich)<\/em><\/p>\n

Max Richter<\/strong> – Donna nobis pacem II<\/em> (2014)<\/p>\n

Cl\u00e9ment Walker-Viry<\/strong> – D’apr\u00e8s le Concerto pour violon en R\u00e9 mineur<\/em>, BWV 1052R de J.S. Bach<\/p>\n

Karl Jenkins <\/strong>– Palladio
<\/em>\u00a0 \u00a0 \u00a0<\/strong><\/em>III. Vivace<\/strong><\/em><\/p>\n\t\t\t\t\t\t

Cast<\/h4>\n\t\t\t

Patrick Coh\u00ebn-Akenine<\/a>, violon solo en alternance avec Minori Deguchi<\/a><\/p>\n

Le Concert de l’Hostel Dieu
Franck-Emmanuel Comte<\/a>, direction and harpsichord<\/p>\n

On stage:
<\/strong>6 violins, 2 violas, 2 cellos, double bass, theorbo, harpsichord<\/p>\n\t

Dans la lign\u00e9e de\u00a0Vivaldi Reloaded<\/i>\u00a0and\u00a0Metamorphosis<\/i>(opens in new tab)<\/a>, deux projets qui ont rencontr\u00e9 aussi un large succ\u00e8s, le Concert de l’Hostel Dieu pousse ici plus loin le dialogue entre les \u00e9poques. Il ne s’agit plus seulement de mettre en regard Bach et les compositeurs minimalistes, mais de faire entendre ce qui les relie, jusqu’\u00e0 cr\u00e9er un v\u00e9ritable continuum sonore, rythmique et immersif<\/b>.<\/p>\n

Au c\u0153ur du programme, la puissance contrapuntique de Bach rencontre l’\u00e9nergie r\u00e9p\u00e9titive de Steve Reich. Le\u00a0Contrepoint de\u00a0L’Art de la fugue<\/i>\u00a0dialogue avec\u00a0Clapping Music<\/i>, tandis que le Concerto pour violon en R\u00e9 mineur<\/em> se prolonge dans\u00a0Electric Counterpoint<\/i> de S. Reich et dans une nouvelle cr\u00e9ation de Cl\u00e9ment Walker-Viry, inspir\u00e9e du concerto de Johann Sebastian Bach. La musique de Max Richter quant \u00e0 elle apporte une autre dimension \u00e0 ce parcours, plus int\u00e9rieure et m\u00e9ditative, avant que Karl Jenkins ne fasse r\u00e9sonner l’h\u00e9ritage de J.S. Bach dans une \u00e9criture contemporaine aux accents pop.<\/p>\n

Une rencontre \u00e9lectrisante entre Bach et le minimalisme, o\u00f9 les si\u00e8cles s’effacent pour laisser place \u00e0 une musique en mouvement, inventive et r\u00e9solument actuelle.<\/strong><\/p>\n

\n\t\t\tPICTURES\t<\/h4>\n

\n\t\t\tVIDEO\t<\/h4>\n\t\t\t\t\t\"youtube-video-thumbnail\"\/\n\t\t\t\t\t\t

PRESS REVIEW<\/h4>\n\t\t\t

Crescendo Magazine (BE) | 13\/08\/2025 – Victoria Okada<\/b><\/strong><\/a>
\u00ab L’interpr\u00e9tation, enlev\u00e9e et jubilatoire, s\u00e9duit par son \u00e9nergie et par l’effet particulier qu’apportent les instruments anciens, rapprochant cette musique contemporaine des couleurs du baroque. \u00bb<\/p>\n\t\t\t\t\t\t

PARTNERS<\/h4>\n\t\t\t

With the support of SPEDIDAM<\/a>.<\/p>\n

\"\"<\/p>\n

\n\t\t\tCALENDAR\t<\/h4>\n

\n\t\t\tAgenda – \u00c9v\u00e9nements pass\u00e9s\t<\/h4>\n

\n\t\t\tASSOCIATED ARTISTS\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"Franck-Emmanuel\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tFranck-Emmanuel Comte<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tMinori Deguchi<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tReynier Guerrero<\/a>\t\t\t<\/h3>","protected":false},"excerpt":{"rendered":"

Un concert jubilatoire et atypique R\u00e9server(opens in new tab) Programme Steve Reich – Clapping music (1972) Johann Sebastian Bach – L’Art de la fugue, BWV 1080 (1749-1750)\u00a0 \u00a0 \u00a0Contrapunctus I Johann Sebastian Bach – Concerto pour violon en R\u00e9 mineur, […]<\/p>\n","protected":false},"author":2776,"featured_media":23714,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[452],"tags":[],"class_list":["post-22297","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions-passees"],"yoast_head":"\nBach to minimalism - 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