Jean-S\u00e9bastien Bach – Sarabande<\/em><\/strong>, from French Suite no. 2<\/em> for harpsichord (BWV 813)<\/p>\n Cl\u00e9ment Walker-Viry – Menuet<\/em><\/strong>, from Fragments<\/em>, d’apr\u00e8s le Menuet II de la Suite n\u00b01<\/em> JS Bach\u2019s Suite no. 1 for solo cello (BWV 1007)<\/p>\n Cl\u00e9ment Walker-Viry – Choral<\/em><\/strong>, from Fragments<\/em>, d’apr\u00e8s \u00ab Jesus, meine Freude \u00bb de JS Bach (BWV 147)<\/p>\n Cl\u00e9ment Walker-Viry – Chaconne<\/em><\/strong>, from Fragments<\/em>, d’apr\u00e8s la after JS Bach\u2019s Partita No. 2<\/em> for solo violin (BWV 1004)<\/p>\n Antonio Vivaldi – Allegro<\/em><\/strong>, from the Cello Concerto<\/em>, 3rd movement (RV 419)<\/p>\n Johann Paul von Westhoff – Imitatione al Campanella<\/em><\/strong>, from Sonata no. 3<\/em>, 3rd movement<\/p>\n Jean-S\u00e9bastien Bach – Praeludium<\/em><\/strong> for lute (BWV 999)<\/p>\n Jean-S\u00e9bastien Bach – Courante<\/em><\/strong>, from Suite n\u00b01<\/em> for solo cello (BWV 1007)<\/p>\n Cl\u00e9ment Walker-Viry – Aria<\/em><\/strong>, from Fragments<\/em>, d’apr\u00e8s \u00ab Bist du bei mir \u00bb (BWV 508, faussement attribu\u00e9 \u00e0 JS Bach), extrait du Petit Livre<\/em> d’Anna Magdalena Bach<\/p>\n Cl\u00e9ment Walker-Viry – Largo<\/em><\/strong>, from Fragments<\/em>, d’apr\u00e8s le JS Bach\u2019s Harpsichord Concerto (BWV 1056)<\/em> , 2nd movement<\/p>\n Cl\u00e9ment Walker-Viry – Allegro<\/em><\/strong>, from Fragments<\/em>, d’apr\u00e8s la JS Bach\u2019s Sonata no. 2 for solo violin (BMW 1003)<\/em> , 3rd movement<\/p>\n Jean-S\u00e9bastien Bach – Choral<\/em><\/strong>, \u00ab Seelenweide, meine Freude \u00bb, from the Petit Livre<\/em> d’Anna Magdalena Bach<\/p>\n\t\t\t\t\t\t Aude Walker-Viry<\/a><\/strong>, cello, voice & looper Cl\u00e9ment Walker-Viry<\/strong><\/a>, composition The project Bach on the beat<\/em> s’inspire de l’esprit des \u0153uvres instrumentales pour instrument soliste de JS Bach et propose une approche r\u00e9solument contemporaine de leur expression musicale. En associant les sonorit\u00e9s des instruments baroques, l’\u00e9nergie hip-hop du beatboxer Tiko et l’\u00e9criture minimaliste du compositeur Cl\u00e9ment Walker-Viry, le quatuor d’artistes propose une relecture intemporelle et po\u00e9tique de la musique de JS Bach. Augment\u00e9es et s\u00e9quenc\u00e9es par un dispositif de \u00ab loopers \u00bb, les m\u00e9lodies du v\u00e9n\u00e9rable ma\u00eetre baroque se rapprochent de l’univers de la musique \u00e9lectro, s’inscrivant dans un cadre esth\u00e9tique r\u00e9solument actuel.<\/p>\n Bach on the beat <\/em>questionne le rapport entre interpr\u00e9tation historiquement inform\u00e9e et cr\u00e9ation contemporaine. Derri\u00e8re ce d\u00e9fi se cache un oxymore doubl\u00e9 d’une interrogation : une nouvelle musique ancienne est-elle possible ? Ou bien encore : une musique baroque ainsi \u00ab\u00a0augment\u00e9e\u00a0\u00bb est-elle susceptible de trouver un chemin d’\u00e9coute aupr\u00e8s d’un large public, si possible plus jeune et divers que celui de la musique dite \u00ab\u00a0savante\u00a0\u00bb ? Il faut se souvenir que JS Bach ne jouait que de la \u00ab\u00a0musique contemporaine\u00a0\u00bb et que sa d\u00e9marche cr\u00e9ative r\u00e9pondait \u00e0 des envies du moment en lien avec les aspirations de son \u00e9poque.<\/p>\n Rediscovering this repertoire\u2019s spontaneity and sharing it is Bach on the beat<\/em>\u2019s mission! Rhythms, colors, and energy are the highlights of this creative and surprising project which blurs our reference points and crosses boundaries.<\/p>\n <\/p>\n Note d’intention de <\/b>Cl\u00e9ment Walker-Viry\u00a0<\/b>:<\/b><\/p>\n Avec l’\u00e9criture de Fragments, commande du Concert de l’Hostel Dieu, l’id\u00e9e premi\u00e8re est de pr\u00e9lever un \u00e9l\u00e9ment marquant de l’\u0153uvre de Bach – un motif, une m\u00e9lodie, une harmonie – pour en faire le point de d\u00e9part d’une nouvelle composition. Pr\u00e9lude, menuet, sonate. J’aime travailler \u00e0 partir du souvenir de cette musique, de son empreinte \u00e9motionnelle, qui ouvre l’inspiration \u00e0 une cr\u00e9ation nouvelle. L’int\u00e9gration du looper dans le processus de l’\u00e9criture fait un pont direct avec l’univers de la musique \u00e9lectronique et minimaliste, utilisant le concept de boucles qui se superposent comme des briques musicales, cr\u00e9ant un \u00e9difice sonore en mouvement. Instruments baroques et beatbox tissent ensemble un dialogue entre pass\u00e9 et futur. En concert, chaque musicien dialogue en direct avec les motifs qu’il enregistre, enrichissant les timbres et les textures. Le looper devient une extension du musicien, un \u00e9cho de son instrument, un double avec lequel il b\u00e2tit peu \u00e0 peu une \u0153uvre vivante et aux multiples\u00a0dimensions.<\/i><\/p>\n El Peri\u00f2dico de Aragon (ES) | 13\/08\/2025<\/b><\/strong><\/a> El Pirineo Aragon\u00e9s (ES) | 15\/08\/2025<\/b><\/strong><\/a> With the support of SPEDIDAM.<\/p>\n PROGRAMME Cl\u00e9ment Walker-Viry – Praeludium, extrait de Fragments, d’apr\u00e8s le Pr\u00e9lude pour clavecin de Jean-S\u00e9bastien Bach (BWV 847) Jean-S\u00e9bastien Bach – Sarabande, extrait de la Suite fran\u00e7aise n\u00b02 pour clavecin (BWV 813) Cl\u00e9ment Walker-Viry – Menuet, extrait de Fragments, d’apr\u00e8s […]<\/p>\n","protected":false},"author":2776,"featured_media":19712,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[],"class_list":["post-19711","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions"],"yoast_head":"\nCAST<\/h4>\n\t\t\t
Andr\u00e9 Costa<\/strong>,<\/a> violin & looper
Tiko<\/strong><\/a>, human beatbox
Franck-Emmanuel Comte<\/a><\/strong>, harpsichord<\/p>\n
Franck-Emmanuel Comte<\/strong><\/a>, arrangements & artistic direction
Quentin Morichon<\/strong>, sound
TBC<\/strong>, set design and lighting<\/p>\n\n\t\t\tCHOOSE YOUR FORMULA:\t<\/h4>\n
\n\t\t\tPICTURES\t<\/h4>\n
\n\t\t\tVideo\t<\/h4>\n\t\t\t\t\t
![\"youtube-video-thumbnail\"\/](\"https:\/\/i.ytimg.com\/vi\/qIg1gVkYM_c\/maxresdefault.jpg\")
\n\t\t\t\t\t\tPRESS REVIEW<\/h4>\n\t\t\t
\u00ab Le quatuor d’artistes propose une r\u00e9interpr\u00e9tation intemporelle et po\u00e9tique de la musique instrumentale du v\u00e9n\u00e9rable ma\u00eetre baroque. \u00bb<\/p>\n
\u00ab Entre lyrique et \u00e9lectrique, le concert s’est conclu sous les acclamations et les applaudissements, confirmant que Bach est un territoire in\u00e9puisable, ouvert \u00e0 la r\u00e9interpr\u00e9tation. \u00bb<\/p>\n\t\t\t\t\t\tPARTNERS<\/h4>\n\t\t\t
![\"\"](\"https:\/\/www.concert-hosteldieu.com\/wp-content\/uploads\/2026\/03\/SPEDIDAM_new-300x150.png\")
<\/p>\n\n\t\t\tCALENDAR\t<\/h4>\n
\n\t\t\tAgenda – \u00c9v\u00e9nements pass\u00e9s\t<\/h4>\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\tDownload the presentation file (for promoters)\n\t\t<\/a>","protected":false},"excerpt":{"rendered":"