{"id":16140,"date":"2021-08-18T14:51:59","date_gmt":"2021-08-18T13:51:59","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?page_id=16140"},"modified":"2022-08-10T15:47:59","modified_gmt":"2022-08-10T14:47:59","slug":"dagmar-saskova","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-artistes-invites\/dagmar-saskova\/","title":{"rendered":"Dagmar \u0160a\u0161kov\u00e1"},"content":{"rendered":"

\n\t\t\t\tDagmar \u0160a\u0161kov\u00e1\n\t\t\t<\/h2>\n\t\t\t

Mezzo soprano<\/h4>\t\n\t

N\u00e9e en 1978 \u00e0 Rakovn\u00edk, R\u00e9publique tch\u00e8que, Dagmar \u0160a\u0161kov\u00e1 d\u00e9bute ses \u00e9tudes de musique et de chant \u00e0 l’Universit\u00e9 de Boh\u00e8me occidentale \u00e0 Pilsen avec Ludmila Kotnauerov\u00e1. En 2002, elle obtient le deuxi\u00e8me Prix \u00e0 Leo\u0161 Jan\u00e1\u010dek International Competition \u00e0 Brno et un Prix sp\u00e9cial de Bohuslav Martin\u016f. Elle continue \u00e0 l’Acad\u00e9mie Jan\u00e1\u010dek des arts musicaux de Brno. En 2008, elle obtient brillamment son dipl\u00f4me de chant baroque au Centre de musique baroque de Versailles.<\/p>\n

Dagmar \u0160a\u0161kov\u00e1 often performs in concerts with ensembles such as Versailles Baroque Music Centre, Akad\u00eamia, Correspondances, El Sol, Il Festino, La Fenice, La R\u00eaveuse, Harmonia Sacra, Le Po\u00e8me Harmonique, or Musica Florea.<\/p>\n

Dagmar \u0160a\u0161kov\u00e1 a particip\u00e9 aux enregistrements des Grands motets <\/em>de Pierre Robert et Les Histoires sacr\u00e9es <\/em>de Marc Antoine Charpentier sous la direction d\u00b4Olivier Schneebeli, des extraits de Opella Nova et Fontana d’Isra\u00ebl<\/em> de Johann Hermann Schein avec l’ensemble Sagittarius dirig\u00e9 par Michel Lapl\u00e9nie et des Cantates et Sonates de Friedrich Buxtehude<\/em> avec Le Concert bris\u00e9 (William Dongois). Elle a enregistr\u00e9 L\u00b4air italien au temps de Louis XIII<\/em>, Arie da cantarsi<\/em> de Stefano Landi et Les airs de Michel Lambert et S\u00e9bastien Le Camus<\/em> avec Il Festino (Manuel de Grange) et la Messe en si mineur<\/em> de Johann Sebastian Bach avec l’ensemble Pygmalion sous la direction de Rapha\u00ebl Pichon. Plus r\u00e9cemment, elle chante sur le disque de Concert royal de la Nuit<\/em> avec l’ensemble Les Correspondances (S\u00e9bastien Dauc\u00e8) et Natale in Italia<\/em> avec l’ensemble La Fenice (Jean Tub\u00e9ry). Pour le moment, ses derniers disques sont Majest\u00e9 Lalande<\/em> avec le Po\u00e8me Harmonique (Vincert Dumeste), La Descente d’Orph\u00e9e aux enfers <\/em>de Charpentier avec l’ensemble Desmarest (Ronan Khalil) et avec l’ensemble Il Festino (Manuel de Grange) Donna<\/em> Monteverdi (Madrigali e mottetti a due voci femminili). R\u00e9cemment, elle a enregistr\u00e9 des airs en espagnol \u00e0 la cour de Louis XIII avec l’ensemble El Sol <\/em>(Chlo\u00e9 S\u00e9v\u00e8re), <\/em>intitul\u00e9 Reinas.<\/em><\/p>\n

In 2010, she made her debut as Corisande in Jean-Baptiste Lully's opera Amadis, a co-production of the Centre de musique baroque de Versailles and the Th\u00e9\u00e2tre d'Avignon (conducted by Olivier Schneebeli, directed by Olivier B\u00e9n\u00e9zech) in Avignon and Massy. In 2011, she appeared as Moschino, Ninfa, Rubani\u00e8re and Fleure in the opera L'Egisto by Marco Marazzoli and Virgilio Mazzocchi (Les Palladins, conducted by J\u00e9r\u00f4me Correas, directed by Jean-Denis Monory) in Massy, at the Th\u00e9\u00e2tre l'Ath\u00e9n\u00e9e in Paris and in Cergy-Pontoise. In 2011, she played the role of Apollo in George Friedrich H\u00e4ndel's opera Terpsicore with Musica Florea (Marek \u0160tryncl and Helena Kaz\u00e1rov\u00e1) in \u010cesk\u00fd Krumlov and in 2017, at the Handel Festival in Halle and in 2013 Melanto in Claudio Monteverdi's Le Retour d'Ulysse (Les Palladins, (conductor J\u00e9r\u00f4me Correas, director Christophe Rauck) in Massy, at the Th\u00e9\u00e2tre G\u00e9rard-Philipe Saint-Denis, in Reims, Nice and Saint-Quentin en Yvelines.<\/p>\n

With the Akad\u00eamia ensemble (Fran\u00e7oise Lasserre and Fran\u00e7ois Rancillac), she travelled to New Delhi in India to perform the role of Ninfa in Claudio Monteverdi's L'Orfeo par-del\u00e0 le Gange (also at the Cit\u00e9 de la Musique in Paris). In 2014, Dagmar \u0160a\u0161kov\u00e1 played the title role in Henry Purcell's Dido and Aeneas in concert in Lyon and Uz\u00e8s with the La Fenice ensemble (Jean Tub\u00e9ry). In 2016, she toured with Marc Antoine Charpentier's Les Histores sacr\u00e9es as Judith in South Korea with the Centre de musique baroque de Versailles (conductor Olivier Schneebeli, director Ana Yepes). In the French tour of L'Orfeo par-del\u00e0 le Gange in 2016, she was La Musica and La Messagiera on stage at the Arsenal de Metz and the Op\u00e9ra de Reims.<\/p>\n

En 2018, avec La Simphonie du Marais<\/em> (Hugo Reyne) Dagmar \u0160a\u0161kov\u00e1 a intepr\u00e9t\u00e9 V\u00e9nus, Olympia et Za\u00efde dans L’Europe Galante<\/em> d’Andr\u00e9 Campra \u00e0 Wienerkonzerthaus \u00e0 Vienne.\u00a0 En 2019, elle s’est produite comme Aurora dans l’op\u00e9ra Le monde \u00e0 l’envers<\/em> de Galuppi \u00e0 l’op\u00e9ra Grand Avignon et \u00e0 la Philharmonie de Paris (direction de Fran\u00e7oise Lasserre, mise en sc\u00e8ne Vincent Tavernier). En juillet 2021, elle a incarn\u00e9 le r\u00f4le de Lucie dans l’op\u00e9ra Gusman<\/em> d’Antoine Reicha en R\u00e9publique tch\u00e8que (en premi\u00e8re\u00a0mondiale).<\/p>\n

\n\t\tMeet Dagmar \u0160a\u0161kov\u00e1 in:\n\t<\/h4>\n\t\t\t\t\n\t\t\t\t\"Le\n\t\t\t\t<\/a>\n\t

\n\t\t\t\t\n\t\t\t\tIl Paradiso perduto\n\t\t\t\t<\/a>\n\t\t\t<\/h3>","protected":false},"excerpt":{"rendered":"

Dagmar \u0160a\u0161kov\u00e1 Mezzo-soprano N\u00e9e en 1978 \u00e0 Rakovn\u00edk, R\u00e9publique tch\u00e8que, Dagmar \u0160a\u0161kov\u00e1 d\u00e9bute ses \u00e9tudes de musique et de chant \u00e0 l’Universit\u00e9 de Boh\u00e8me occidentale \u00e0 Pilsen avec Ludmila Kotnauerov\u00e1. En 2002, elle obtient le deuxi\u00e8me Prix \u00e0 Leo\u0161 Jan\u00e1\u010dek […]<\/p>\n","protected":false},"author":2776,"featured_media":16142,"parent":12628,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[169,171],"tags":[],"class_list":["post-16140","page","type-page","status-publish","has-post-thumbnail","hentry","category-equipe-artistique","category-nosartistesinvites"],"yoast_head":"\nDagmar \u0160a\u0161kov\u00e1 - Le Concert de l'Hostel Dieu<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.concert-hosteldieu.com\/en\/nos-artistes-invites\/dagmar-saskova\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dagmar \u0160a\u0161kov\u00e1 - Le Concert de l'Hostel Dieu\" \/>\n<meta property=\"og:description\" content=\"Dagmar \u0160a\u0161kov\u00e1 Mezzo-soprano N\u00e9e en 1978 \u00e0 Rakovn\u00edk, R\u00e9publique tch\u00e8que, Dagmar \u0160a\u0161kov\u00e1 d\u00e9bute ses \u00e9tudes de musique et de chant \u00e0 l’Universit\u00e9 de Boh\u00e8me occidentale \u00e0 Pilsen avec Ludmila Kotnauerov\u00e1. 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