{"id":12874,"date":"2021-06-07T15:22:02","date_gmt":"2021-06-07T14:22:02","guid":{"rendered":"https:\/\/dev.concert-hosteldieu.com\/?page_id=12874"},"modified":"2026-03-16T17:27:49","modified_gmt":"2026-03-16T16:27:49","slug":"fugacites","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/fugacites\/","title":{"rendered":"FugaCit\u00e9s"},"content":{"rendered":"\n\n\t\t\t\t\t\t

PROGRAMME<\/h4>\n\t\t\t

Acte I : le corps (Musique baroque + danse hip hop)<\/strong>
John Playford, \u00ab Stingo \u00bb, extrait de The English Dancing Master
Johann Paul von Westhoff, \u00ab Imitatione del liuto \u00bb et \u00ab Finale \u00bb, extraits de la Sonata n\u00b02
John Playford, \u00ab The Virgin Queen \u00bb, extrait de The English Dancing Master
Henry Purcell, \u00ab Here the deities approve\u00bb, extraite de Welcome to all the pleasure, Z 339
Antonio Vivaldi, Allegro poco, extrait de la Sonate RV 42
John Playford, \u00ab Stingo \u00bb, extrait de The English Dancing Master
Michel Farinel, The Farinel’s ground ou Les Folies d’Espagne<\/p>\n

Acte II : l’air (Musique baroque + beatbox)<\/strong>
Johann Paul von Westhoff, Troisi\u00e8me mouvement de la Sonata n\u00b03
Antonio Vivaldi, Allegro, extrait du Concerto pour violoncelle RV 419
David Chalmin, \u00ab Another song \u00bb
Johann Sebastian Bach, Courante, extrait de la Suite n\u00b01 pour violoncelle BWV 1007)
Johann Sebastian Bach, Praeludium pour Luth BWV 999<\/p>\n

Acte III : L’esprit (Musique baroque + slam)<\/strong>
Antonio Vivaldi, Cello sonata RV 43, Adagio \/ Texte : Mehdi Kr\u00fcger, Voir la mer
Antonio Vivaldi, Cello sonata RV 43, Allegro \/ Texte : Mehdi Kr\u00fcger, L’Odyss\u00e9e \u00e0 l’envers
Fran\u00e7ois Couperin, Les barricades myst\u00e9rieuses \/ Texte : Mehdi Kr\u00fcger, Septembre est loin
Antonio Vivaldi, Allegro poco, extrait de la Sonate RV 42 \/ Texte : Mehdi Kr\u00fcger, Le cerf volant
Jean-Baptiste Barri\u00e8re, Sonate n\u00b02 pour violoncelle, Adagio \/ Texte : Mehdi Kr\u00fcger, Les d\u00e9sertaires
Claudio Monteverdi, Si dolc’\u00e9 tormento
Tarentelle napolitaine \/ Texte : Mehdi Kr\u00fcger, \u00ab Caf\u00e9-croissants \u00bb
John Playford, Drive the cold winter away, Beggar Boy \/ Texte : Mehdi Kr\u00fcger, Du vent
Texte Mehdi Kr\u00fcger, r\u00e9solution
John Playford, \u00ab Nobody’s Jig \u00bb et \u00ab Stingo \u00bb, extraits de The English Dancing Master<\/p>\n\t\t\t\t\t\t

DISTRIBUTION<\/h4>\n\t\t\t

J\u00e9r\u00f4me Oussou<\/a> en alternance avec M\u00e9lissa Cirillo<\/a>, danse hip-hop
Tiko<\/a>, human beatbox
Mehdi Kr\u00fcger<\/a>, slam
Reynier Guerrero<\/a>, violon
Aude Walker-Viry<\/a>, violoncelle
Franck-Emmanuel Comte<\/a>,\u00a0clavecin<\/p>\n

B\u00e9r\u00e9nice Collet<\/a>, mise en sc\u00e8ne
Mourad Merzouki<\/a>, chor\u00e9graphie
Christophe Waksmann, cr\u00e9ation vid\u00e9o
Pauline Vauchez, cr\u00e9ation lumi\u00e8res
Franck-Emmanuel Comte<\/a>, direction et conception musicale<\/p>\n

FugaCit\u00e9s<\/em> est une rencontre entre la musique baroque et les cultures urbaines<\/strong> imagin\u00e9e par Franck-Emmanuel Comte et sc\u00e9nographi\u00e9e par la metteuse en sc\u00e8ne B\u00e9r\u00e9nice Collet<\/a>. Ce sont trois variations po\u00e9tiques et interdisciplinaires aux multiples inspirations, un dialogue cr\u00e9atif entre les instrumentistes du Concert de l’Hostel Dieu et trois artistes-phare des cultures urbaines : Tiko<\/a> (human beatbox), Mehdi Kr\u00fcger<\/a> (slam), J\u00e9r\u00f4me Oussou<\/a> (danse hip-hop) chor\u00e9graphi\u00e9 par Mourad Merzouki<\/a>.<\/p>\n

Imagin\u00e9 pendant le confinement comme 3 formes courtes et ind\u00e9pendantes, FugaCit\u00e9s<\/em> est d\u00e9sormais un spectacle unique mis en sc\u00e8ne par B\u00e9r\u00e9nice Collet et accompagn\u00e9 par le contrepoint vid\u00e9o de Christophe Waksmann. Fruit de la rencontre po\u00e9tique entre musique baroque et hip hop, il invite tous types de spectateurs \u00e0 un voyage sensible et onirique, rythm\u00e9 par les textes de Mehdi Kr\u00fcger et les chor\u00e9graphies de Mourad Merzouki.<\/p>\nDur\u00e9e : 1h10 pour la version tout public<\/strong>
\n50 min pour la version scolaire (\u00e0 partir de 11 ans)<\/strong>\n

\n\t\t\tFUGACIT\u00c9S EN IMAGES\t<\/h4>\n

\n\t\t\tFUGACIT\u00c9S en vid\u00e9os\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<\/a>\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<\/a>\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<\/a>\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t<\/a>\t\t\t\t\n

\n\t\t\tIls nous ont fait confiance…\t<\/h4>\n

Festival 1001 notes en Limousin, Espace culturel Eole \u00e0 Craponne, L’Aqueduc \u00e0 Dardilly, Espace Albert Camus \u00e0 Bron, Festival d’Ambronay, Centre Saint-Marc \u00e0 Lyon, Midsummer Festival du Ch\u00e2teau d’Hardelot, Centre Culturel Th\u00e9\u00e2tre Central de La Louvi\u00e8re, Th\u00e9\u00e2tre de Belley, Espace culturel des Corbi\u00e8res, Th\u00e9\u00e2tre de Lempdes, Th\u00e9\u00e2tre Th\u00e9o Argence \u00e0 Saint-Priest, Sc\u00e8ne de l’H\u00f4tel de ville \u00e0 Sarreguemines, Th\u00e9\u00e2tre de Bagnols sur C\u00e8ze, Centre Culturel Jean-Pierre Fabr\u00e8gue\u00a0\u00e0\u00a0Saint-Yrieix, Saison culturelle de Montmorin, Op\u00e9ra de Clermont-Ferrand, Festival Internacional en el Camino de Santiago, Festival baroque en Forez, La Pl\u00e9iade \u00e0 la Riche, CCO La Rayonne\u00a0\u00e0 Villeurbanne, Espace Paul Jargot \u00e0 Crolles, Sinfonia en P\u00e9rigord, Le Ph\u00e9nix \u00e0 Valenciennes, Le Parvis des Fiz \u00e0 Passy, Le Rocher de Palmer \u00e0 C\u00e9non, Festival Bach de Saint-Donat, Grand Man\u00e8ge Namur Concert Hall, Lyc\u00e9e fran\u00e7ais de New York, Le P\u00f4le \u00e0 Alby, Espace Michel Croz \u00e0 Chamonix, Festival de Lournand.<\/p>\n\t\t\t\t\t\t

LA PRESSE EN PARLE<\/h4>\n\t\t\t

CLA<\/u>SSICAGENDA – 20\/09\/2021 <\/u>– <\/u>Julien Bordas<\/u><\/a>
<\/u><\/strong>\u00ab\u00a0Dans la veine du pr\u00e9c\u00e9dent spectacle Folia<\/em>, [Mourad Merzouki] combine avec audace les partitions de Vivaldi, Purcell ou encore Playford et le talent du danseur hip-hop J\u00e9r\u00f4me Oussou. Ce dernier est m\u00eame rejoint par les musiciens dans une sorte de jeu de r\u00f4les artistique, et le public, convi\u00e9 \u00e0 la f\u00eate.\u00a0\u00bb<\/p>\n

BAROQUIADES – 24\/09\/2021 – Emmanuel Deroeux<\/a>
<\/u><\/strong>\u00ab\u00a0Dispos\u00e9s comme un v\u00e9ritable quatuor, les quatre musiciens jouent effectivement comme un v\u00e9ritable ensemble […] On ressent alors, gr\u00e2ce notamment aux arrangements de Franck-Emmanuel Comte, une v\u00e9ritable symbiose entre les artistes.\u00a0\u00bb<\/p>\n

FRANCEINFO – \u00a022\/09\/2021 – Lorenzo Ciavarini Azzi<\/a>
<\/u><\/strong>\u00ab\u00a0La symbiose baroque hip-hop rel\u00e8ve presque de l’\u00e9vidence.\u00a0\u00bb<\/p>\n

CLASSICMAISPASHASBEEN – 24\/09\/2021 – S\u00e9verine Garnier<\/a>
<\/u><\/strong>\u00ab\u00a0Le Concert de l’Hostel Dieu \u00e9tait au meilleur de sa forme, et a montr\u00e9 sa souplesse et son humour […]\u00a0\u00bb<\/p>\n

EL PERIODICO DE ARAGON – 06\/08\/2023 – Javier Losilla<\/a><\/strong>
\u00ab En d’autres termes, nous avons appr\u00e9ci\u00e9 un spectacle bien ficel\u00e9, divertissant, th\u00e9\u00e2tral et non sans humour, o\u00f9 les compositions baroques se rattachent aux cr\u00e9ations du temps pr\u00e9sent.\u00a0\u00bb<\/p>\n\t\t\t\t\t\t

MENTIONS<\/h4>\n\t\t\t

En co-production avec P\u00f4le En Sc\u00e8nes.<\/p>\n

\n

Avec le soutien de la SPEDIDAM<\/a>.<\/p>\n

\"\"<\/p>\n

\n\t\t\tAGENDA\t<\/h4>\n

\n\t\t\tAgenda – \u00c9v\u00e9nements pass\u00e9s\t<\/h4>\n

\n\t\t\tLES ARTISTES ASSOCI\u00c9S\t<\/h4>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tJ\u00e9r\u00f4me Oussou<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tM\u00e9lissa Cirillo<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"Tiko\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tTiko<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tMehdi Kr\u00fcger<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tB\u00e9r\u00e9nice Collet<\/a>\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\"\"\n\t\t\t\t<\/a>\n\t\t\t\t\t\t

\n\t\t\t\tMourad Merzouki<\/a>\t\t\t<\/h3>\n\n","protected":false},"excerpt":{"rendered":"

PROGRAMME Acte I : le corps (Musique baroque + danse hip hop)John Playford, \u00ab Stingo \u00bb, extrait de The English Dancing MasterJohann Paul von Westhoff, \u00ab Imitatione del liuto \u00bb et \u00ab Finale \u00bb, extraits de la Sonata n\u00b02 John […]<\/p>\n","protected":false},"author":2776,"featured_media":18667,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":null,"ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":null,"ast-hfb-below-header-display":null,"ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":null,"ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":null,"header-main-stick-meta":"","header-below-stick-meta":null,"astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[451],"tags":[173],"class_list":["post-12874","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions","tag-fugacites"],"yoast_head":"\nFugaCit\u00e9s - Le Concert de l'Hostel Dieu<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez FugaCit\u00e9s, trois variations po\u00e9tiques et interdisciplinaires dans lesquelles la musique baroque rencontre les cultures urbaines.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/fugacites\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FugaCit\u00e9s - Le Concert de l'Hostel Dieu\" \/>\n<meta property=\"og:description\" content=\"D\u00e9couvrez FugaCit\u00e9s, trois variations po\u00e9tiques et interdisciplinaires dans lesquelles la musique baroque rencontre les cultures urbaines.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/fugacites\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Concert de l'Hostel Dieu\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leconcert.delhosteldieu\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-16T16:27:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.concert-hosteldieu.com\/wp-content\/uploads\/2022\/10\/CHD-FugaCites-65_web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.concert-hosteldieu.com\\\/nos-productions\\\/fugacites\\\/\",\"url\":\"https:\\\/\\\/www.concert-hosteldieu.com\\\/nos-productions\\\/fugacites\\\/\",\"name\":\"FugaCit\u00e9s - 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