{"id":12523,"date":"2021-06-05T19:59:06","date_gmt":"2021-06-05T18:59:06","guid":{"rendered":"https:\/\/dev.concert-hosteldieu.com\/?page_id=12523"},"modified":"2025-09-16T11:01:25","modified_gmt":"2025-09-16T10:01:25","slug":"the-french-connection","status":"publish","type":"page","link":"https:\/\/www.concert-hosteldieu.com\/en\/nos-productions\/the-french-connection\/","title":{"rendered":"The French connection"},"content":{"rendered":"<h4 tabindex=\"0\">Program details<\/h4>\r\n<p class=\"translation-block\"><strong>Robert Cambert<\/strong> and <strong>Louis Grabu: <\/strong>Ouverture from <em>Pomone<\/em> (1671)<br><strong>Matthew Locke: <\/strong>excerpts from  <em>Psyche<\/em> (1675)<br><strong>Jean-Baptiste Lully: <\/strong>excerpts from <em>Psych\u00e9<\/em> (1678) <br><strong>Nicholas Lanier:<\/strong> Loves constancy \u201cNo more shall meeds\u201d<br><strong>Matthew Locke:<\/strong> suite from <em>The Tempest<\/em> (1674) <br><strong>Pelham Humfrey:<\/strong> \u201cWhere the bee sucks\u201d, from <em>The Tempest<\/em> (1674)<br><strong>Henry Purcell:<\/strong> excerpts from  <em>The Tempest, King Arthur, The Fairy Queen<\/em><\/p>\r\n<h4 tabindex=\"0\">Cast<\/h4>\r\n<p class=\"translation-block\"><a href=\"https:\/\/www.concert-hosteldieu.com\/en\/presentation\/lequipe-artistique\/axelle-verner\/\" target=\"_self\" rel=\"noopener noreferrer\">Axelle Verner<\/a>, <em>mezzo soprano<\/em><br>Le Concert de l\u2019Hostel Dieu<br><a href=\"https:\/\/www.concert-hosteldieu.com\/en\/presentation\/lequipe-artistique\/franck-emmanuel-comte\/\" target=\"_self\" rel=\"noopener noreferrer\">Franck-Emmanuel Comte<\/a>, <em>harpsichord and direction<\/em><\/p>\r\n<p><strong>On stage:<br \/><\/strong>1 soloist, 9 instrumentalists (string quintet, oboe\/flute, bassoon\/flute, theorbo, harpsichord)<\/p>\r\n<p>1642, r\u00e9volution de Cromwell. Le roi Charles II est en exil en France, \u00e0 la cour de Louis XIV, son cousin germain. Il y d\u00e9couvre la musique de Versailles, qui le passionne \u00e0 tel point qu&rsquo;elle fera partie de ses bagages lors de son retour en Angleterre en 1660. C&rsquo;est dans ce contexte que de nombreux artistes fran\u00e7ais l&rsquo;accompagnent et viennent s&rsquo;installer \u00e0 Londres ; ils vont inspirer les compositeurs anglais, fascin\u00e9s par Jean-Baptiste Lully. D\u00e9bute alors une p\u00e9riode de renouveau artistique remarquable pour la musique anglaise, naturellement encline \u00e0 s&rsquo;enrichir de sonorit\u00e9s multiples. Il en r\u00e9sulte des cr\u00e9ations passionnantes et dynamiques, influenc\u00e9es par le m\u00e9tissage des styles. Elles refl\u00e8tent l&rsquo;esprit d&rsquo;ouverture de cette cour cosmopolite qui accueille les meilleurs artistes en provenance du continent.<\/p>\r\n<h4>Watch the concert's video recording<\/h4>\r\n<h4 tabindex=\"0\">Press review<\/h4>\r\n<p><strong><a href=\"https:\/\/www.forumopera.com\/the-french-connection-froville-the-french-connection?fbclid=IwAR1DJdr82viNHvSrkiXld_kADTbImnYRGaEp42rRUm_PrdRzgYtFm_LWhyo\">FORUMOPERA<\/a> &#8211; 07\/06\/2021 &#8211; Yvan Beuvard<br \/><\/strong>\u00ab Les musiciens du Concert de l&rsquo;Hostel Dieu renouvellent l&rsquo;exploit. Leur jeu, virtuose, color\u00e9, toujours anim\u00e9, \u00e0 la plus large palette expressive, n&rsquo;appelle que des \u00e9loges. Chacun m\u00e9riterait d&rsquo;\u00eatre cit\u00e9, du violon solo \u00e0 la hautbo\u00efste-fl\u00fbtiste\u2026 \u00bb<\/p>\r\n<p><strong><a href=\"https:\/\/bachtrack.com\/fr_FR\/critique-le-concert-de-l-hostel-dieu-comte-blondeel-favre-victoire-verner-bockler-froville-la-romane-juin-2021?fbclid=IwAR3stCbCbmyuR_rcuFK6_jiRxRCwk4QG0sTqZmRskXEwE86uyx_yBFic8QY\">BACHTRACK<\/a> &#8211; 09\/06\/2021 &#8211; Jean Landras<br \/><\/strong>\u00ab Le Concert de l&rsquo;Hostel Dieu et son directeur musical ont \u00e9merveill\u00e9 le public par la rigueur et la beaut\u00e9 de leur jeu individuel comme d&rsquo;ensemble. Chaque pupitre a su se montrer \u00e0 la hauteur des attentes. \u00bb<\/p>","protected":false},"excerpt":{"rendered":"<p>Programme Robert Cambert et Louis Grabu : Ouverture, extrait de Pomone (1671)Matthew Locke : extraits de Psyche (1675)Jean-Baptiste Lully : extraits de Psych\u00e9 (1678) Nicholas Lanier : Loves constancy \u00ab No more shall meeds \u00bbMatthew Locke : suite extraite de [&hellip;]<\/p>\n","protected":false},"author":2776,"featured_media":18122,"parent":23593,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":null,"ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":null,"ast-hfb-below-header-display":null,"ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":null,"ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":null,"header-main-stick-meta":"","header-below-stick-meta":null,"astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[452],"tags":[],"class_list":["post-12523","page","type-page","status-publish","has-post-thumbnail","hentry","category-nos-productions-passees"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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