| Home | ||
| About Le Concert de L'Hostel Dieu | ||
| Musical season in Lyon | ||
| Professionals | ||
| What's on ? | ||
| Partnerships | ||
| Donors Les Goûts réunis |
||
| Contact | ||
 Francais |
 English |
|
| Edito | |||||
 |
During the next musical season we will have the great pleasure to
celebrate our 15 th anniversary with you! It will be the occasion to
share a musical adventure made up by discoveries and unreleased
interpretations of the great opuses of the baroque repertoire. Those
two complementary approaches have been the raison d’être of the Concert
de l’Hostel Dieu since its beginnings. We draw our inspiration by
musicological search that have led each one of our works and we will
try this year above all to give to each meeting a well-defined musical
identity; both coherent and unique. After a trilogy dedicated to the
Italian cities (Roma, Venice, Naples) during the three last years, we
propose to discover this year the influence of Italian baroque music on
the Enlightenment’s Europe and more specifically in France. Six
compositors, widely inspired by the transalpine style, will be our
guides for this year. Campra and Bouzignac, as two representative
musicians of the cultural richness in the French provinces, will show
us through two programs of sacred music the quintessence of their
creativity. Two well-known figures of the East-European baroque art,
Bach and Charpentier, will allow us to appreciate the variety and the
richness of their opuses for choir. Then two “globe-trotters”
(O’Carolan and Santiago de Murcia), representative of a mixed and
open-minded culture, will make us discover their repertoire: the first
one influenced by Foscarini and the second one by Corelli. This
imaginary travel through Baroque Europe will be the occasion of
original artistic collaborations: the group Garlic Bread, The young
dancers from the “Conservatoire National Supérieur de Musique et Danse”
(national high school for music and dance) in Lyons, L’ONCL E !
(National Bagpipes’ Orchestra of Lyons and around) will be our partners
to explore the many links between learned writing music and the
traditional one. I hope those projects will make you want to join us for this musical anniversary-season. Franck-Emmanuel Comte, musical director |
||||
| Accédez au programme : >> Johann-Sebastian Bach >> Marc-Antoine Charpentier >> Carolan's dream >> Guillaume Bouzignac >> Le songe de Murcia >> André Campra >> Tarifs et Réservations |
|||||
| Programme des concerts de la saison | |||||
| Johann Sebastian Bach | |||||
 |
Jesu, meine Freude La quintessence de l'art choral The theme of the “Gute Nacht” as poetic metaphor for a gentle and peaceful death to the one who believes in God goes through the opus of the “Cantor from Leipzig”. According to J-S Bach light and relief are offered to the hopeful one, at the end of an exhausting life. Thus his motets, “Sterberlieder”, aren’t dark or painful pieces of music. Lightening architectures full of Italianism, each one of those great choir-frescos are build around a central choir. It reflects the deep feeling that Bach pass on God. Two cantatas for alto come in between the motets in order to bring the necessary breath to this program full of virtuosity Cast : soloist alto: Paulin Bündgen, Singers from the „Atelier Vocal“, instrumentalists from Le Concert de l’Hostel Dieu (strings and organ), Franck-Emmanuel Comte , musical direction  Meetings around the heritage :Following the traces of the Protestants in Lyons. Sunday, 21 st October 2008 3pm. Duration 1 h. Meet on the Front of Saint John’s Cathedral . Organized by Stéphanie Petit, national guide >> Ticketing / Season Ticket >> Back to the top of the page | ||||
Temple Lanterne |
|||||
| Marc-Antoine Charpentier | |||||
 |
Midnight Mass and Magnificat by Marc-Antoine Charpentier. A great traditional and popular concert for Christmas . . |
||||
Eglise St-Paul |
|||||
| Carolan´s dream | |||||
 |
The unlikely meet between the Gaelic music and the baroque worlds… Musical compositions by Turlough O'Carolan (1670-1738) : Tunes, Jiggs, laments, reels “ Carolan’s Dream” presents original arrangements of compositions by Turlough O'Carolan, an Irish harpist and poet. Between traditional music and learned music, the dream world of O’Carolan stays between Irish fantasy literature and the cosmopolitism of the English occupants. We wish to highlight this cultural duality, this mix of inspirations and references. The music of O’Carolan reflects his changing temper: the wailing on a deceased friend, nostalgia of a lost love, enchantment of a fleeting dream…But above all it reflects this theme of “dream”, this inner regard, this quite mad introspection that the artist has unwilling often did since his teenage. Broken fate, hopeless fight for a better life, constant wandering, that only a sensitive person like O’Carolan could transform into an amazing quest with only one purpose: the pursuit of grace. Cast : In collaboration with the group Garlic Bread. Sandrine Burtin, song, fiddle Yann Manche , whistles, uellean pipe Caroline Anssoux , Celtic harp Henri-Charles Cajet, bodhran, drums Luc Gaugler , viola da Gamba (viol) Damien Lachuer, bouzouki, guitar Johan Jacquemoud , bass Franck-Emmanuel Comte , harpsichords Meeting around the heritage :
Presentation around the artistic and biographic itinerary of Carolan by Franck-Emmanuel Comte. |
||||
Salle Ste Hélène |
|||||
| Guillaume Bouzignac | |||||
 |
The musical mystery of the French 17 th century Concert directed around the Christ’s life and death. From holy scenes, dramatic motets and dialogues by G. Bouzignac. (Ecce Homo, Dum silentium,...) The very personal and creative style of the master from Narbonne is as itself a mystery. Between Spanish and Italian influences, Bouzignac compose a music that is free from the rules of the Renaissance. Those “pictures in music” make from the various events of the Christ’s life a captivating and expressive musical fresco. Unfortunately his fame fades away at the end of the 17 th century. But he stays in the minds of the musicians of the 18 th century as the “great music writer from the French provinces” . Cast : soloists from the “Atelier Vocal”, viola and organFranck-Emmanuel Comte , musical direction Meeting around the heritage : Let’s discover the recently restored Church of Saint Bruno Les Chartreux. One of the most beautiful place for baroque music in Lyons. >> Ticketing / Season Ticket >> Back to the top of the page |
||||
Eglise St-Bruno les Chartreux |
|||||
| Le songe de Murcia | |||||
 |
The mixed and visionary world of a globe-trotter. Dances by Foscarini and Santiago de Murcia In Spain of the 17th century, we sang various dances and we danced as well a lot of romances “with such a grace” that ”anybody who listened it, held its senses and spirit spellbound”. The Clergy considered these exuberant dances as the “obscene work of the Devil”, as they were so lustful and suave. This profane taste for the provocative dance caused the righteous indignation of some, whose protestations had only to make those dances more popular as a consequence. At the same time, those dances get richer and richer thanks to the influences from the New World colonies and from West Africa. As a symbol of this mix, Santiago de Murcia is guitarist-compositor with a “free imagination”: his manuscript on the dances from Spain and the New World, recently found in Mexico, points up the extremely modernity of the work of this traveller-musician. He has been inspired both by the dances from Old Europe and by African and South-American rhythms. The choreographic creation by Anne Martin, former partner and soloist by Pina Bausch, is inspired by this unbelievable mix, both shock and union of cultures.Cast : Dancers from CNSMD, National high school of Music and Dance in Lyon (6 dancers) Anne Martin , choreographer Instrumentalists from Le Concert de l’Hostel Dieu Roland Ulrich , baroque guitar Florent Marie, guitar and theorbo Luc Gaugler , viola, vihuela et violone Benoît Poly, drums Franck-Emmanuel Comte ; harpsichords and organ >> Ticketing / Season Ticket >> Back to the top of the page |
||||
Salle Varèse |
|||||
| André Campra | |||||
 |
Requiem Funeral high-mass from Provence with sequences in “plein-chant” (Dies Irae, Libera me, Benedictus), procession and tambourines from Provence. |
||||
Chapelle de la Trinité |
|||||
| Ticketing / Subscription | |||||
|
Season Ticket : 6 concerts from 115 €/ 4 concerts from 70 €. Single tickets : a ticket: 15 €, 25 €, 28 € young people under 26 : 8 € Reduction : With a supporting evidence: People over 65, Students, Unemployed persons , Schools, Groups over 10 persons, Works councils. Carte M’RA :High school students can use their M’RA cards for every concerts Duo price :Duo season ticket stands for 2 persons |
||||
| >> Print a subscription paper (PDF) |
|||||
  |
   |
||||