{"id":23132,"date":"2025-03-12T17:34:27","date_gmt":"2025-03-12T16:34:27","guid":{"rendered":"https:\/\/www.concert-hosteldieu.com\/?p=23132"},"modified":"2025-09-19T11:52:26","modified_gmt":"2025-09-19T10:52:26","slug":"les-fantomes-dhamlet-revue-de-presse","status":"publish","type":"post","link":"http:\/\/www.concert-hosteldieu.com\/en\/les-fantomes-dhamlet-revue-de-presse\/","title":{"rendered":"The Ghosts of Hamlet - Press review"},"content":{"rendered":"
<\/i>T\u00e9l\u00e9charger la revue de presse<\/a><\/span><\/h5>\n

 <\/p>\n

Presse Web<\/h3>\n
\n

CRESCENDO MAGAZINE (BE) | 20\/02\/2025 \u2013 Victoria Okada<\/a>
\n<\/u><\/strong>\u00ab\u00a0Au sommet de son art, la cantatrice d\u00e9ploie un chant hautement expressif, entre aigus clairs et m\u00e9dium l\u00e9g\u00e8rement ombrageux. [\u2026]\u00a0La direction depuis le clavecin par Franck-Emmanuel Comte met en valeur chaque pi\u00e8ce dans la diversit\u00e9 des propos, \u00e0 laquelle les musiciens r\u00e9pondent en parfaite harmonie. \u00bb<\/p>\n

STRETTO (BE) | 27\/02\/2025 \u2013 Michel Dutrieue<\/u><\/strong><\/a>
\n\u00ab\u00a0Naast het plezier van het ontdekken van deze compleet nieuwe muzikale pareltjes, zal dit project u meenemen naar de opwindende, dubbelzinnige en fascinerende wereld van Hamlet, wiens geesten deze mooie wandeling door een herontdekt barok Itali\u00eb zullen verlevendigen. \u00bb
\n\u00ab Outre le plaisir de d\u00e9couvrir ces v\u00e9ritables joyaux musicaux in\u00e9dits, ce projet vous plongera dans l’univers envo\u00fbtant, ambigu et fascinant de Hamlet, dont les fant\u00f4mes viendront animer cette belle promenade \u00e0 travers une Italie baroque red\u00e9couverte. \u00bb<\/p>\n

PREMIERE LOGE (FR) | 28\/02\/2025 \u2013 Marc Dumont<\/u><\/strong><\/a>
\n\u00ab\u00a0Il est finalement assez rare qu\u2019une fois l\u2019\u00e9coute du disque termin\u00e9e, l\u2019envie de le r\u00e9\u00e9couter imm\u00e9diatement s\u2019impose. Avec celui-ci, c\u2019est encore plus grave, docteur : c\u2019est \u00e0 chaque air que ce besoin s\u2019impose.\u00a0\u00bb<\/p>\n

FORUM OPERA (FR) | 28\/02\/2025 \u2013 Yvan Beuvard<\/u><\/strong><\/a>
\n\u00ab\u00a0Le bonheur est constant, et l\u2019on ne se lasse pas d\u2019\u00e9couter cet enregistrement captivant, aux splendides couleurs, phras\u00e9s et articulations. Les qualit\u00e9s exceptionnelles des interpr\u00e8tes, la vari\u00e9t\u00e9 des affects, les pages instrumentales, tout nous ravit. \u00bb<\/p>\n

MUSICOLOGIE.ORG (FR) | 01\/03\/2025 \u2013 Alfred Caron<\/u><\/strong><\/a>
\n\u00ab\u00a0 Si trois de ces airs sont signal\u00e9s comme des premi\u00e8res mondiales, l\u2019ensemble de ce disque constitue une v\u00e9ritable d\u00e9couverte au-del\u00e0 m\u00eame de la raret\u00e9 du r\u00e9pertoire, gr\u00e2ce aux qualit\u00e9s des interpr\u00e8tes qui le d\u00e9fendent.\u00a0\u00bb<\/p>\n

LA SCENA MUSICALE (CA) | 11\/03\/2025 \u2013 Heather Weinreb<\/u><\/strong><\/a>
\n\u00ab\u00a0[Roberta Mameli] possesses a honey-like tone and superb vocal control which resulted in many lively Baroque ornamentations speckled throughout her performance.\u00a0\u00bb
\n\u00ab\u00a0[Roberta Mameli] poss\u00e8de un timbre de miel et une superbe ma\u00eetrise vocale, ce qui lui a permis d’ex\u00e9cuter de nombreuses ornementations baroques vives tout au long de sa prestation.\u00a0\u00bb<\/p>\n

CULTUURPAKT (BE) | 19\/03\/2025 \u2013 Knopskaya<\/u><\/strong><\/a>
\n\u00ab\u00a0Het geluk is constant, en we worden nooit moe van het luisteren naar deze boeiende opname, met prachtige kleuren, frasering en articulaties. De uitzonderlijke kwaliteiten van de uitvoerders, de verscheidenheid aan affecten, de instrumentale pagina\u2019s, alles verrukt ons.\u00a0\u00bb
\n\u00ab\u00a0Le bonheur est constant, et on ne se lasse pas d’\u00e9couter cet enregistrement captivant, aux couleurs, au phras\u00e9 et aux articulations magnifiques. Les qualit\u00e9s exceptionnelles des interpr\u00e8tes, la vari\u00e9t\u00e9 des affects, les pages instrumentales, tout nous ravit.\u00a0\u00bb<\/p>\n

IL GIORNALE DELLA MUSICA (IT)<\/u><\/strong> | 28\/03\/2025 \u2013 Alma Torretta<\/u><\/strong><\/a>
\n\u00ab\u00a0L\u2019album combina il piacere della scoperta con quello dell\u2019alta qualit\u00e0 dell\u2019esecuzione con l\u2019ensemble che risponde alla sapiente direzione di Franck-Emmanuel Comte con sensibilit\u00e0, compattezza ed eleganza, ben esprimendo sia i colori pi\u00f9 vividi che le sfumature pi\u00f9 delicate.\u00a0\u00bb
\n\u00ab\u00a0L’album allie le plaisir de la d\u00e9couverte \u00e0 celui d’une interpr\u00e9tation de haute qualit\u00e9, l’ensemble r\u00e9pondant \u00e0 la direction experte de Franck-Emmanuel Comte avec sensibilit\u00e9, compacit\u00e9 et \u00e9l\u00e9gance, exprimant bien aussi bien les couleurs les plus vives que les nuances les plus d\u00e9licates.\u00a0\u00bb<\/p>\n

OPUS KLASSIEK (NL) | 07\/04\/2025 \u2013 Aart van der Wal<\/a>
\n<\/u><\/strong>\u00ab\u00a0Le Concert de l\u2019Hostel Dieu onder leiding van de klavecinist Franck-Emmanuel Comte geeft de sopraan de zo essenti\u00eble ademruimte, maar zorgt tevens voor fraai uitgewerkte contrasten in de al even sprankelende dialogen.\u00a0\u00bb
\n\u00ab\u00a0Le Concert de l’Hostel Dieu, dirig\u00e9 par le claveciniste Franck-Emmanuel Comte, offre \u00e0 la soprano l’espace de respiration essentiel, mais offre aussi des contrastes magnifiquement travaill\u00e9s dans des dialogues tout aussi p\u00e9tillants.\u00a0\u00bb<\/p>\n

OPERA TEATRO (IT) | 19\/04\/2025 \u2013 \u00a0Elide Bergamaschi<\/a>
\n<\/u><\/strong>\u00ab \u00c8 fiamma, pietra inondata di luce, quintessenza di purissimo teatro, la voce di Roberta Mameli. \u00bb
\n\u00ab\u00a0C’est la flamme, la pierre baign\u00e9e de lumi\u00e8re, la quintessence du th\u00e9\u00e2tre pur, la voix de Roberta Mameli.\u00a0\u00bb<\/p>\n

\u00d4LYRIX (FR) | 04\/05\/2025 \u2013 Patrick Delacour<\/a>
\n<\/u><\/strong>\u00ab\u00a0Pour les dix airs qu\u2019elle interpr\u00e8te,\u00a0Roberta Mameli\u00a0se montre rompue \u00e0 la technique du chant baroque des castrats du dix-huiti\u00e8me si\u00e8cle, elle se rit de la difficult\u00e9 des traits et des vocalises des airs orn\u00e9s.\u00a0\u00bb<\/p>\n

Parterre Box (US) | 13\/05\/2025 \u2013 Christopher Corwin<\/u><\/strong><\/a>
\n\u00ab And as pleasing as this new recording is, her live performance of many of the same arias at Bohemian Hall was unfailingly vivid, her darkly smoky soprano in prime estate as she seamlessly moved throughout the extended range of the arias. \u00bb
\n\u00ab Et aussi agr\u00e9able que soit ce nouvel enregistrement, son interpr\u00e9tation en direct de plusieurs des m\u00eames arias au Bohemian Hall \u00e9tait d’une vivacit\u00e9 sans faille, son soprano sombre et enfum\u00e9 \u00e9tant au premier plan alors qu’elle se d\u00e9pla\u00e7ait avec fluidit\u00e9 sur toute la gamme \u00e9tendue des arias. \u00bb<\/p>\n

GRAMOPHONE (UK) | 01\/06\/2025 \u2013 David Vickers<\/u><\/strong><\/a>
\n\u00ab\u00a0Mameli and Le Concert de l\u2019Hostel Dieu display a harmonious kinship of intriguing repertoire and felicitous musical expressivity. \u00bb
\n\u00ab Mameli et Le Concert de l’Hostel Dieu pr\u00e9sentent une parent\u00e9 harmonieuse entre un r\u00e9pertoire fascinant et une expressivit\u00e9 musicale heureuse. \u00bb<\/p>\n

 <\/p>\n

Presse \u00e9crite<\/h3>\n
\n

LE DEVOIR (CA) | 10\/03\/2025 \u2013 Christophe Huss<\/u><\/strong><\/a>
\n\u00ab Convaincant et impressionnant au disque, le projet l\u2019est encore plus sur sc\u00e8ne gr\u00e2ce \u00e0 la pr\u00e9sence irradiante de la soprano Roberta Mameli. \u00bb<\/p>\n

TRIBUNE DE LYON (FR) | 01\/2025 \u2013 Luc Hernandez<\/u><\/strong><\/a>
\n\u00ab En \u00e9cho au mythe de Shakespeare, Franck-Emmanuel Comte a retrouv\u00e9 des sinfonias, arias et fragments d\u2019op\u00e9ras in\u00e9dits, inspir\u00e9s par un m\u00eame livret du po\u00e8te v\u00e9nitien Apostolo Zeno. En est ressorti le meilleur de la musique vocale italienne du XVIIIe si\u00e8cle. \u00bb<\/p>\n

SEVEN DAYS (US) | 19\/03\/2025 \u2013 Amy Lilly<\/u><\/strong><\/a>
\n\u00ab\u00a0People are in for a world-class opera singer, beautiful Baroque music and a different take on the\u00a0Hamlet<\/em>\u00a0story. \u00bb
\n\u201cLe public a le droit \u00e0 une chanteuse d’op\u00e9ra de classe mondiale, \u00e0 une belle musique baroque et \u00e0 une interpr\u00e9tation diff\u00e9rente de l’histoire d’Hamlet. \u00a0\u00bb<\/p>\n

IL CITTADINO DI LODI (IT) | 19\/03\/2025 \u2013 Fabio Francione<\/u><\/strong><\/a>
\n\u00ab A dar voce a una selezione di queste \u00ab\u00a0arie perdute\u00a0\u00bb, alcune registrate per la prima volta al mondo, \u00e8 la soprano Roberta Mameli, sottile e raffinatissima interprete del repertorio barocco. \u00bb
\n\u00ab La soprano Roberta Mameli, interpr\u00e8te subtile et raffin\u00e9e du r\u00e9pertoire baroque, donne voix \u00e0 une s\u00e9lection de ces \u00ab airs perdus \u00bb, dont certains sont enregistr\u00e9s pour la premi\u00e8re fois au monde. \u00bb<\/p>\n

BBC MUSIC MAGAZINE (UK) | 20\/03\/2025 \u2013 Berta Joncus<\/u><\/strong><\/a>
\n\u00ab Stonking performances and brilliant programming unite in this solo album. […] Comte and Le Concert de l\u2019Hostel Dieu are pure joy. Their exchange of ideas gives this performance its febrile energy. \u00bb
\n\u00ab\u00a0Des performances \u00e9poustouflantes et une programmation brillante s’unissent dans cet album solo. [\u2026] Comte et Le Concert de l’Hostel Dieu sont un pur bonheur. Leurs \u00e9changes d’id\u00e9es donnent \u00e0 ce spectacle son \u00e9nergie f\u00e9brile.\u00a0\u00bb<\/p>\n

SCHERZO (ES) | 31\/03\/2025 \u2013 Stefano Russomanno<\/u><\/strong><\/a>
\n\u00ab\u00a0Mameli cautiva con su derroche de elegancia y una fuerza llena de la belleza de su timbre que dota de matices el car\u00e1cter de cada pieza con una deslumbrante ornamentaci\u00f3n.\u00a0\u00bb
\n\u00ab Mameli s\u00e9duit par la richesse de son \u00e9l\u00e9gance et la force de la beaut\u00e9 de son timbre qui nuance le caract\u00e8re de chaque pi\u00e8ce par une ornementation \u00e9blouissante.\u00a0\u00bb<\/p>\n

FRANKFURTER ALLGEMEINE ZEITUNG<\/u><\/strong> (DE) | 31\/03\/2025<\/u><\/strong><\/a>
\n\u00ab Das Album verkn\u00fcpft Perlen der italienischen Barockoper zu einem Pasticcio verschiedener Kom- positionen, auch von H\u00e4ndel; nur einzelne, attraktive Arien Gasparinis sind \u00fcberliefert. \u00bb
\n\u00ab L’album r\u00e9unit des perles de l’op\u00e9ra baroque italien en un pasticcio de diff\u00e9rentes compositions, y compris de Haendel ; seuls quelques airs attrayants de Gasparini nous sont parvenus. \u00bb<\/p>\n

OPERA MAGAZINE (FR) | 01\/04\/2025 \u2013 Thierry Guyenne<\/u><\/strong><\/a>
\n\u00ab Le Concert de l\u2019Hostel Dieu de Franck-Emmanuel Comte contribue brillamment, tant par la beaut\u00e9 instrumentale que par le sens dramatique, au vif int\u00e9r\u00eat de ce disque. \u00bb<\/p>\n

DIAPASON (FR) | 01\/05\/2025 \u2013 Adrien Cauchie <\/u><\/strong><\/a>
\n\u00ab Parmi les airs de bravoure, signalons \u00ab Son sdegnato<\/em>\u00a0\u00bb de Carcani et \u00ab\u00a0Tromba in campo e spada in guerra<\/em>\u00a0\u00bb dans lesquels Mameli en impose, soutenue par un orchestre merveilleusement vif. \u00bb<\/p>\n

AMADEUS (IT) | 01\/05\/2025 \u2013 Piero Mioli<\/u><\/strong><\/a>
\n\u00ab\u00a0Il gruppo diretto da Franck-Emmanuel Comte vi concerta con la voce bella e morbida, brillante e talora \u201combrosa\u201d di Roberta Mameli, brava tanto in cantabilit\u00e0 quanto in coloratura (e registro acutissimo). \u00bb
\n\u00ab\u00a0L’ensemble dirig\u00e9 par Franck-Emmanuel Comte les concerte avec la belle et douce, brillante et parfois \u00ab ombrageuse \u00bb voix de Roberta Mameli, aussi bonne dans le cantabile que dans la colorature (et le tr\u00e8s haut registre). \u00bb<\/p>\n

GUTENBERG (IT) | 09\/05\/2025 \u2013 Andrea Milanesi<\/u><\/strong><\/a>
\n\u00ab\u00a0Il soprano romano si conferma un\u2019interprete raffinata e sensibile, perfettamente allineata con lo spirito di questo repertorio [\u2026] affiancata in questo dalla complicit\u00e0 di Comte e dei suoi strumentisti.\u00a0\u00bb
\n\u00ab\u00a0La soprano romaine s’affirme comme une interpr\u00e8te raffin\u00e9e et sensible, parfaitement en phase avec l’esprit de ce r\u00e9pertoire [\u2026] soutenue en cela par la complicit\u00e9 de Comte et de ses instrumentistes. \u00bb<\/p>\n

FONO FORUM (DE) | 01\/07\/2025 \u2013 Reinmar Emans<\/u><\/strong><\/a>
\n\u00ab\u00a0Das kleine franz\u00f6sische Ensemble Le Concert de l’Hostel Dieu begleitet punktgenau und verleiht auch den Sinfonien einen recht vorw\u00e4rtsdr\u00e4ngenden, gl\u00e4nzenden Charakter. \u00bb
\n\u00ab Le petit ensemble fran\u00e7ais Le Concert de l’Hostel Dieu accompagne avec une grande pr\u00e9cision et conf\u00e8re aux symphonies un caract\u00e8re propulsif et brillant. \u00bb<\/p>\n

MUSICA (IT) | 01\/07\/2025 \u2013 Lorenzo Tozzi<\/u><\/strong><\/a>
\n\u00ab La variegata galleria di sentimenti e di personaggi qui interpretati la conferma soprano barocco d\u2019eccellenza, cui non poco contribuisce il sostegno sonoro del Concert de l\u2019Hostel Dieu, che brilla anche nelle pagine strumentali di Hasse, Scarlatti e Gasparini. \u00bb
\n\u00ab La galerie vari\u00e9e des sentiments et des caract\u00e8res interpr\u00e9t\u00e9s ici la confirme comme une soprano baroque d’excellence, ce \u00e0 quoi contribue largement le soutien sonore du Concert de l’Hostel Dieu, qui brille \u00e9galement dans les pages instrumentales de Hasse, Scarlatti et Gasparini. \u00bb<\/p>\n

 <\/p>\n

Radio<\/h3>\n
\n

RCF – Tous m\u00e9lomanes (FR) | 13\/02\/2025 <\/u>\u2013 <\/span><\/strong>Jacques Nouvier<\/strong><\/span><\/a><\/p>\n

RADIO PLURIEL (FR) | 16\/02\/2025 <\/u>\u2013 <\/span><\/strong>Herv\u00e9 Laurent<\/strong><\/span><\/a><\/p>\n

FRANCE MUSIQUE (FR) | 18\/02\/2025 <\/u>\u2013\u00a0<\/span><\/strong>Emilie Munera<\/strong><\/span><\/a>
\n<\/u><\/strong>\u00ab\u00a0Les airs qui nous restent de ces op\u00e9ras perdus sont raviv\u00e9s par le Concert de l’Hostel Dieu et la charismatique soprano Roberta Mameli qui qui pr\u00eate sa voix souple au prince danois \u00e9ponyme et aux femmes fortes qui l’entourent […]. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00e9l\u00e9charger la revue de presse   Presse Web CRESCENDO MAGAZINE (BE) | 20\/02\/2025 \u2013 Victoria Okada \u00ab\u00a0Au sommet de son art, la cantatrice d\u00e9ploie un chant hautement expressif, entre aigus clairs et m\u00e9dium l\u00e9g\u00e8rement ombrageux. [\u2026]\u00a0La direction depuis le clavecin […]<\/p>\n","protected":false},"author":2776,"featured_media":23028,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":null,"ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":null,"ast-hfb-below-header-display":null,"ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":null,"ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":null,"header-main-stick-meta":"","header-below-stick-meta":null,"astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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